Dear Brigitte

Dear Brigitte
January 8, 1965
Fox
Comedy
VHS
C+

Although this has the same director, screenwriter, and studio as Take Her, She's Mine, I think it's a weaker film.  I don't know how much of this can be blamed on the book it's based on, Erasmus with Freckles (1963), but the movie feels as if it was both immediately dated and too early.  Billy Mumy (now 10 but still passing for 8) plays Erasmus, who's a mathematical genius with a huge crush on Brigitte Bardot.  She shows up late in the film (not at all worried about stalkers, although they were a real life problem for her), and is as lovely as ever, but I always got the impression she was more of a '50s star, and of rather racy movies at that, and it seems odd that a boy as young as Erasmus would have a crush on her, as opposed to, say, Sandra Dee.

Speaking of Gidget, Cindy Carol again follows in Dee's footsteps, this time as Jimmy Stewart's teenage daughter.  Carol is just as whiny, and as poor an actress, as she was in Gidget Goes to Rome, and there's an odd moment when she calls her father a "square" because he's not obsessed with money like she is.  Part of the weirdness of this movie is that Stewart is playing a proto-hippie-- a poetry professor who lives on a houseboat, hates math and science, and is worried about the nuclear generator on campus, as well as about what "this campus will be like in five years"-- and it's not only strange casting, but it seems like it would have worked better in a '70s or '80s movie.

Oh, and there's also a gambling subplot, with the usually upright John Williams as the unscrupulous Peregrine Upjohn.  Glynis Johns, as Stewart's wife, is given a bit more depth than she got in Mary Poppins, while Ed Wynn again supplies whimsy, this time talking to the camera, "like in that movie Tom Jones."  (In case you were wondering why Frankie Avalon keeps doing it in the Beach Party movies.)  Fabian plays Cindy Carol's boyfriend, but, no, he doesn't sing.  (The idea of him crooning "Dear Brigitte" as a title song, a la all those James Darren "Gidget" songs, is not without appeal.)

The always versatilely accented Jack Kruschen plays the Austrian (I think) psychiatrist Dr. Volker.  Louise Lane, who plays the saleslady, was "Jazzy Dame" in Auntie Mame.  Harry Carter, who was "Man Departing Plane" in Take Her is a reporter here; James Brolin again plays a college student; Pitt Herbert, who was a police sergeant there, is the bank manager here; Gene O'Donnell, Frank there, is Police Lt. Rink here; and Charles Robinson, who was Stanley, is now George.  As in Pajama Party, Jesse White plays a crook, this time bookie Cliff Argyle.

Paula Lane and Jane Wald would shortly be in John Goldfarb, Please Come Home!  Lyn Edgington would soon do Girl Happy.  Richard Lane, who's the racetrack announcer here, would be the roller rink announcer in The Shaggy D.A.  (As far as I know, none of these Lanes are related.)

"Technology is a great threat!  Oo, nifty instant photo!"

Mary Poppins

Mary Poppins
August 27, 1964
Disney
Musical, Historical, Fantasy, Children's
DVD
B-

Forgive me, but the magic has faded.  This used to be one of my favorite Disney movies, but watching it now (on the 50th anniversary special edition DVD), I notice things like that the animation isn't as amazing as I remembered, and the bird woman is covered in pigeons (and probably their poo).  Although some people seem to appreciate the "father" plot more now that they're adults, seeing Saving Mr. Banks a few months ago only confirmed that I never cared for Mr. Banks even after he reforms.  (And why is the mother a suffragette on the streets but a "yes, dear" sort of wife at home?)  The "laughing" scenes aren't exactly infectious, and I kept thinking that I'd hate to have a neighbor shoot off a cannon a couple times a day.

That all said, I still like the chemistry between Julie Andrews and Dick Van Dyke (his bad accent aside), the kids are cute but not cutesy, and most of the songs are good to great.  The special effects are impressive for their time.  Bill Walsh also cowrote the screenplay for Merlin Jones, which was directed by Stevenson, and obviously this is more ambitious and imaginative.  It's been a very long while since I've read the books, but I think it's fair to say that the best parts of the movie-- like the very catchy "Step in Time" song & dance by the chimneysweeps, have little to do with the actual story.

Arthur Treacher, who's the constable, does not look 70, but it had been almost 30 years since he played Jeeves.  Sam Harris was in several of my movies, going back to the '30s, but this is the last of his I own.  (He would die in 1969, at 92.)  Marjorie Bennett, who plays Miss Lark, was the corset saleslady in Ma and Pa Kettle at Home.  Marjorie Eaton, who's Miss Persimmon, would appear in Harold and Maude.  Hal Taggart was in There's No Business Like Show Business.  Dal McKennon, who does several voices, was one of the detectives in Merlin Jones.

Elsa Lanchester, who appears early in the film as Katie Nannna, would shortly have a more substantial role, as Aunt Wendy in Pajama Party.  Bert Stevens was in a few of my earlier movies, most recently Some Like It Hot, and he would be in I'll Take Sweden.  Ed Wynn, who plays Uncle Albert, would be in Dear Brigitte.  (And, yes, he's the father of Keenan and the grandfather of Ned, so '64 was a year you could see three generations of Wynns at the movies.)  Thurl Ravenscroft, who does the voice of the hog, would be in The Love God?  Bill Lee, who voices the ram, would be a singer in Charlotte's Web.  Reta Shaw, who plays Cook, would be the manager of the orphanage in Escape to Witch Mountain.  Marc Breaux, who voices the cow and was the choreographer for the movie, would more dubiously be the choreographer for Sextette.