Showing posts with label Jeremy Northam. Show all posts
Showing posts with label Jeremy Northam. Show all posts

Tuesday, June 16, 2015

Gosford Park

Gosford Park
January 18, 2002
USA Films etc.
Historical, Mystery, Drama, Comedy
DVD
B+

As with Monsoon Wedding, it takes awhile to sort out all the characters and their relationships in this movie, but fortunately this film holds up even better to repeat viewings.  Yes, it's a mystery, but the whodunnit is just one aspect of the intricate plot.  I also feel that the various threads are resolved satisfactorily, if usually not thoroughly.  The movie was directed and co-written by Robert Altman, so this "ensemble piece" aspect is not surprising.

The setting is a house party in 1932.  We get to know both "upstairs" and "downstairs," and how they sometimes overlap, sexually in particular.  I'm going to mostly just mention the people who are in other films of mine (some of them of course in the Harry Potter series), although they're by no means the only ones giving strong performances.  The closest to a heroine, and the one who solves the mystery, is Mary Maceachran, played by Kelly Macdonald with a soft Scottish burr and very observant eyes.

  • Bob Balaban, who plays Morris Weissman, helped come up with the concept for the film and his character is the most an outsider, as a gay, Jewish Hollywood producer.
  • Stephen Fry this time plays Inspector Thompson, the bumbling detective, who adds a more farcical element to the movie.  (Most of the rest of the humour is very dry.)
  • Michael Gambon, as William McCordle, is very gruff, with none of the warmth or whimsy of his later role as Dumbledore #2.  (Of course, there are Potter fans who see him as just as gruff as Dumbledore.)
  • Richard E. Grant, as George, spends a lot of the time sneering at people, but it works much better than when he was sneering at the Spice Girls as their manager.
  • Tom Hollander, as Anthony Meredith, is the only happily married man in the movie, although he is worried about money throughout most of the story.  His role of the short and insecure man is not unlike his role in In the Loop at the other end of the decade.
  • Jeremy Northam is understated but pivotal as Ivor Novello (the only real character), since he shows the importance of pop culture to "low-class" people, while the upper classes look down on him and it.  He also sings well as Novello.
  • Maggie Smith, as Constance Trentham, not surprisingly comes closer to stealing the film than anyone does, making the most of her wonderful lines.  Yet there's a poignancy to her role, since she, too, worries about money.  (And, yes, there's a certain retroactive irony to McGonagall pleading with Dumbledore.)  She would of course go on to the television series Downton Abbey, which was created by one of the screenwriters here, Julian Fellowes.
  • Geraldine Somerville as Louisa Stockbridge (the red-haired sister) is very different than in her saintly role as Harry Potter's dead mother.
  • Sophie Thompson, as Dorothy, gives one of the messages of the movie, on the importance of loving someone, whether or not the love is returned.
Note:  John Atterbury, who plays Merriman, would be the portrait of Phineas Nigellus Black in Harry Potter and the Order of the Phoenix.

It's so exhausting training new servants.

Friday, April 10, 2015

Emma

Emma
August 30, 1996
Miramax
Comedy, Romance, Historical
VHS
C+

While on the surface this may seem like a faithful adaptation of the Austen novel, I find it much less in the spirit than Clueless, not to mention the contemporary Kate Beckinsale TV-movie.  I'm going to have to blame writer-director Douglas McGrath for the main flaws: general miscasting (especially of Harriet), a cutesy device of a sentence being started in one scene ("So then I said....") and then finished in the next ("How delightful!"), and the shafting of the Frank Churchill/ Jane Fairfax subplot.  (Enchanted April's Polly Walker and 25-year-old Ewan McGregor both do their best, but they're given little to work with and are misdirected in most of what they do get.)

That said, there are moments when the film forgets its own unnecessary flourishes and focuses on Austen's still great dialogue and plotting.  Even if the cast isn't quite right, it is an interesting assemblage, including 23-year-old Gwyneth Paltrow in the title role (sufficiently British but too pouty), 31-year-old Alan Cumming as Mr. Elton, and of course Emma Thompson's mother and 34-year-old sister as Mrs. and Miss Bates.  I have to note that Jeremy Northam as Mr. Knightley and Greta Scacchi as Mrs. Weston are both much more interesting and attractive than anyone else in the movie, and I would've actually rather have watched a far from canonical backstory of them being in love ten or fifteen years earlier.