School of Rock

School of Rock
October 3, 2003
Paramount
Comedy, Musical
DVD
B-

This movie isn't as funny as I remembered, although Jack Black (cast to type) does well in the lead role, as does Joan Cusack (cast somewhat against type) as the uptight school principal.  There are a lot of stereotypes in the roles, particularly the kids (although "Fancypants" amuses me), and I could've done without the extent to which writer Mike White plays the best friend role as a doormat.  Also, there are too many moments when Black's character cons people too easily.  That said, the movie is likable enough and the music is pretty good.

MacIntire Dixon was Cole Oyl in Popeye and a Bachelor Party Guest in In & Out, while he's the Bus Driver here.  And Kate McGregor-Stewart was Aunt Becky in In & Out and plays Mrs. Lemmons here.  Lian Moy was a Patron in The Royal Tenenbaums and is a Student here.  Mandy Siegfried was Hana the Hostess in Two Weeks Notice and is Female Employee here.  Heather Goldenhersh is Sheila here and would be Martha Pomeroy in Kinsey.  Carlos Velazquez is a Musician here and would be a Waiter in Music and Lyrics.

Any questions?

High Fidelity

High Fidelity
March 31, 2000
Touchstone
Comedy, Romance
DVD
A

As I said in my review of the book, http://rereadingeverybookiown.blogspot.com/2013/09/high-fidelity.html, this is an example of how sometimes the movie is better than the book.  I have seen this movie in a revival theater with a very appreciative crowd and I have seen it by myself, and I think I've seen it with one or two boyfriends.  It remains wise, silly, romantic, cynical, and endlessly quotable.  ("Kathleen Turner Overdrive" is funnier in itself than the average full-length comedy, and that's just one throwaway gag.)  Now that I have my own (failing) business, I can appreciate the film on yet another level.  The performances are great, not just those I tagged but just about everyone in the movie.  But, yes, John Cusack, who also co-wrote and co-produced the film, manages to be Everyman and a music geek at the same time.  His sister Joan is perfect as his sort of ex's friend Liz.  Jack Black gives a tour de force (and force of nature) performance as over-the-top Barry (one of the "musical moron twins" who work in Rob's store).  And Tim Robbins, in a ponytail, hits just the right notes as Ian/Ray.

In fact, the film is so wonderful I really don't know what to add except that I thoroughly enjoyed it.  As with the other two A's (Some Like It Hot and Groundhog Day), I don't know what would make it into an A+.  Maybe if the ending were a little tighter (or rather the lead-up to it), since it feels like the movie is going to have a neat Hollywood ending, but then it changes gears to give a more complex and happier ending.  This is a quibble though, and I could make others, but if the film teaches us anything it's that things don't have to be perfect to be wonderful.

Marilyn Dodds Frank plays Alison's Mom and would be Woman Who Bought Television in The 40-Year-Old Virgin.  Penny Marshall allegedly is one of the people at the funeral.

Note, as with my book blog, I'm using "2000s" to mean anything from Y2K onward, because I honestly haven't even seen that many new movies in the last few years, so I understandably don't own many from the current decade.

In & Out

In & Out
September 19, 1997
Paramount
Comedy, Romance
VHS
B-

Screenwriter Paul Rudnick had appeared as himself in Celluloid Closet, a documentary that showed that for gay characters onscreen, their fates were often tragic, or overly comic.  While this movie is exaggerated (and directed by Muppet veteran Frank Oz), it places its gay stereotypes in a small-town full of stereotypes.  And the twist is that the Kevin Kline character, Literature teacher Howard Brackett, must be gay because he's so smart, nice, and well-groomed.  By the time most of the entire town stands up and says that they're gay, too, in his support, "gay" is definitely a compliment.

But along the way there are of course farcical complications.  The trouble starts when stupid yet Oscar-winning actor Cameron Drake outs his former teacher during an acceptance speech.  (Cam is played by Matt Dillon, 17 years after Little Darlings but passing for his early 20s.  The blond hair helps.)  This comes as a shock to everyone, including Howard, who's engaged to Emily Montgomery, played by 34-year-old Joan Cusack.  And his mother tells him she doesn't care if he's gay, she still wants the big wedding.  (Now 65-year-old Debbie Reynolds, ties George Burns for the longevity record, 45 years after Singin' in the Rain.)  Meanwhile, reporter Peter Malloy (Tom Selleck) wants the real story (and more), and principal Tom Halliwell (Bob Newhart, his stammering and discomfort used to fine effect) wants to avoid scandal, with graduation coming up.

The timeline is all screwy, with the Oscars presented on a Wednesday and graduation the following Monday.  (In what month?)  I have to wonder if this is carelessness, or if it's meant to add to the air of unreality.  It's almost like the story couldn't quite take place in our world.  (That the small town is in Indiana has recently become ironic.)  And it is very much a gay comedy for straight people.  I remember the dismay and then amusement in my theater when Selleck kissed Kline.  I don't think it would be as shocking now.  Although only 18 years have passed, this movie is already a relic, and I suspect that even a few years later we wouldn't have got the trick ending, where it looks like Howard and Peter will get married, but it's actually Howard's parents renewing their vows.  (His dad is played by Wilford Brimley, and I kept thinking, "Because it's the right thing to do.")   As a movie, I think it's still cute, sweet, and sometimes funny.  (The straight guys debating Barbra Streisand films will never get old.)  Kline is a good moral and narrative center for the film.  Everyone else is doing what they're hired for, although this is far from my favorite Joan Cusack role.

Note, there is never a moment when someone says, "Um, Howard, maybe you're bi," although admittedly he's much less sexual than Chasing Amy's Alyssa Jones.  The mainstream was definitely not ready for that kind of complexity.

Joseph Maher was Gridley in Going Ape! and is Father Tim here.  (He's got one of those faces where you feel like you've seen him somewhere before.)  Richard Woods was a Board Member in The Hudsucker Proxy and is Reverend Morgan here.  Marla Sucharetza was Exercising Woman in The First Wives Club and is a School Reporter here, while Debra Monk was Jilted Lover there and is Mrs. Lester here, and J-Smith Cameron was Miss Sullivan there and Trina Paxton here.

Audience Member Todd Stockman would be Dad in The Object of My Affection the following year, while Audience Member Jeannette Gould would be Senior Center Woman in Two Weeks Notice (all uncredited).  John Cunningham, who almost steals the movie as the Be a Man Tape Instructor, would be Justice of the Peace in Two Weeks Notice.  Wally Dunn is Cousin Lenny here and would be Gym Teacher in School of Rock.  MacIntyre Dixon, who was Cole Oyl in Popeye, has a small role as a Bachelor Party Guest here and would be the bus driver in School of Rock.   

This time, Dan Hedaya plays a Military Attorney in the film within a film on Oscar Night.  Jay Leno appears as himself, 18 years after his role in Americathon.  Selma Blair, then 25, has an early role as Cousin Linda.