Who's That Girl

Who's That Girl
August 7, 1987
Warner Bros.
Comedy, Romance, Action
VHS
B-

Released the same day as Back to the Beach, this was not and still is not anywhere near as well liked by the critics and public.  (Interestingly, feminist Kathi Maio gave it a mostly favorable review.)  As someone who has no strong feelings for or against Madonna (and an affection for Frankie & Annette that made me go see BttB at the time), it may seem odd that I'm giving this movie the same rating.  I wouldn't say that it's aged well-- it's even more '80s and it's chockful of stereotypes-- but there's something oddly appealing about it.

It's a screwball comedy that rips off Bringing Up Baby, which I never cared for, by the way.  (I'm in the minority in thinking that Sylvia Scarlett is the best Grant-Hepburn movie.)  WTG is also an action comedy.  And a manic-pixie-dreamgirl nightmare.  Griffin Dunne, as Louden Trott, a role not entirely dissimilar to his straight-arrow lawyer character in Johnny Dangerously, manages to be both the Goldblumian in-story commentator on the craziness around him and the won-over-in-less-than-24-hours victim/love interest for Madonna.  Who looks like Betty Boop, especially in the animated opening credit sequence that sets up the back-story.  (You know, while people are finding their seats.)

The title by the way has no question mark, so I guess it's a statement.  Madonna is who is that girl.  (Sorry, Marlo Thomas.)  But Nikki Finn isn't much like Madonna, except in creating controversy and being on the cutting edge of fashion.  You may not like Madonna or Nikki, but there's so much else going on here, weird little touches like the way the on-the-spot reporter interviews the kidnapped bridesmaids, and the Don'ts pictures for Louden's wedding night, that it won't really matter.  And I can't think of any other movie, in the '80s or beyond, that would resolve the bickering-cops subplot the way this one does.  Perhaps the fact that the script was co-written by Ken Finkleman and Andrew Smith, of respectively Grease 2 and the 1979 TV-movie Playboy's Roller Disco & Pajama Party, explains the way cliches are almost subverted, but I doubt it.

Arthur Tovey, who has an uncredited role as the butler, was then 82 and had credits dating back decades, including as Military Man in Restaurant in A Night in Casablanca.  Shari Summers was Edith Phern in Harold and Maude and plays Nurse #2 here.

Carmen Filpi, Street Bum #1 here, would have a brief but memorable role as Old Man Withers in Wayne's World, while Sean Sullivan, who's the Gun Dealer here, would be Phil there.  Co-op member Robert Weil would be Mail Room Boss in The Hudsucker Proxy.  John McMartin, who plays Simon Worthington, would be Huntingdon Hartford in Kinsey.

A 26-year-old Stanley Tucci plays the 2nd Dock Worker.

Unfairly trashed by the critics.