Heidi's Song

Heidi's Song
November 19, 1982
Hanna-Barbera
Children's, Comedy, Drama, Musical
VHS
C+

This came out almost a decade after H-B's version of Charlotte's Web, but, although it has some things in common, including some voice talents, it's nowhere near that level of quality.  In fact, I'd say it's closer as an animated adaptation of a children's classic to Pinocchio in Outer Space.  The songs are weak, sometimes poorly sung (Heidi's songs are all off-key), and sometimes with laughable lyrics, most notably in "That's What Friends Are For," which offers the dubious message that jumping in the water to save a drowning friend when you can't swim is admirable.  (It doesn't work symbolically either.)  There's also a lot of pointless, unfunny slapstick.

On the plus side, I like the look of the film for the most part, the scenery especially, both the mountain and the town.  The animals, other than the deliberately ugly rats and dogs, are cute.  Lorne Greene as Grandfather and Sammy Davis, Jr. as Head Ratte [sic] are a bit over the top but add to the fun.  There are also two '60sish psychedelic sequences, one with Sammy of course, and the other with Heidi dreaming of mountain spirits.  (It's worth noting that Robert Taylor was also writer-director for The Nine Lives of Fritz the Cat.)  The movie isn't overly faithful to the book but it's not way off either.

Pamelyn Ferdin, by then 23, sounds much the same as Klara as she did as Fern in CWeb.  Joan Gerber, who does the voice for Fraulein Rottenmeier, was a Hanna-Barbera mainstay, and she provided voices for both Mrs. Zuckerman and Mrs. Fussy in CWeb.  Berlin-born Fritz Feld, who does a very Von-Stroheim characterization of Sebastian, has credits going back to 1917, and in fact was Jardinet in At the Circus, as well as Mr. Jackman in Freaky Friday.   Frank Welker, who voices both Hootie the Owl and Schnoodle the Dog, was the narrator in Zorro: The Gay Blade.  (He's still very busy as a voice actor.)

Sue Allen was a chorus girl in Singin' in the Rain, while Loulie Jean Norman was a singer in The Band Wagon.  Other chorus members-- John Richard Bolks, Ida Sue McCune, Gene Merlino, Paul Sandberg, and Robert Tebow-- sang in CWeb.

Heidi is trippin', Man!

Everything's better with kittens!

At the Circus

At the Circus
October 20, 1939
MGM
Comedy, Musical
VHS
C+

A decade into their film career, the Marx Brothers had clearly passed their peak, but this is at least better than Room Service, which had no memorable moments, while this has several, most to do with Groucho: his singing Harburg-Arlen's delightful "Lydia the Tattooed Lady," which just barely squeaked by the censors; his mention of the Hays Code when wondering how to retrieve money from Eve Arden's skimpy costume; and his continued romancing of Dumont, who makes a welcome return late in the movie.  Also worth watching are the Brothers' investigations in the henchmen's bedrooms, one of the baddies, "Little Professor Atom," played by Jerry Maren, the center Lollipop Guild member in The Wizard of Oz.  (Screenwriter Irving Brecher was one of the many contributors to that classic, and, yes, Buster Keaton again gave then uncredited writing support to the Marxes.)  As others have pointed out, a circus isn't much of an environment for the Brothers to rebel against, but it does fit the theme of so many of my 1939 movies.  (Even in Vernon and Irene Castle, Ginger does a number in a clown suit.)

The negatives are many, including the tepid romance between Baker and Rice, with the two of them singing "Two Blind Loves" to each other twice, and her singing "Step up and Take a Bow" to her horse, and Baker singing it to her.  It's hard to care about the "save the circus" plot, while I did care about Judy's sanitarium in A Day at the Races.  As in Races, Harpo frolicks with shucking-and-jiving "coloreds," this group thinking he's Svengali rather than Gabriel.  At least Lillian Randolph would have a more memorable role, as "Annie" in It's a Wonderful Life.  Willie Best has a smaller role than in Thank You, Jeeves!, as a redcap, so he suffers fewer indignities.  The pace is faster than in Room Service, although sometimes overly frantic.  Edward Buzzell would also direct Go West, which also is not the Marxes' worst.  Yes, I'd put this on a level with Races and The Cocoanuts, far from a classic but not pitiful.

The nearly ubiquitous Edmund Mortimer is the Governor here.  Forbes Murray would go on to Turnabout, Irving Bacon to His Girl Friday, Buck Mack to Citizen Kane, and Emory Parnell to Miracle of Morgan's Creek.  And, yes, we're done with the '30s now.