Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince
July 15, 2009
Warner Bros.
Fantasy, Romance, Comedy, Drama
DVD
B-

Harry Potter regulars this time include (* for newbies):

1. Afshan Azad as Padma Patil
2. David Bradley as Argus Filch
3. Jim Broadbent as Professor Horace Slughorn*
4. Scarlett Byrne as Pansy Parkinson (new to the role)*
5. Jessie Cave as Lavender Brown (new to the role)*
6. Shefali Chowdhury as Parvati Patil
7. Robbie Coltrane as Rubeus Hagrid
8. Louis Cordice as Blaise Zabini*
9. Warwick Davis as Professor Filius Flitwick
10. Alfred Enoch as Dean Thomas
11. Amber Evans as Twin Girl #1*
12. Ruby Evans as Twin Girl #2*
13. Tom Felton as Draco Malfoy
14. Michael Gambon as Professor Albus Dumbledore
15. Rupert Grint as Ron Weasley
16. Josh Herdman as Gregory Goyle
17. Rod Hunt as Thorfinn Rowle*
18. Ralph Ineson as Amycus Carrow*
19. Jason Isaacs as Lucius Malfoy
20. Isabella Laughland as Leanne*
21. Dave Legeno as Fenrir Greyback*
22. Georgina Leonidas as Katie Bell (new to the role)*
23. Katie Leung as Cho Chang
24. Matthew Lewis as Neville Longbottom
25. Evanna Lynch as Luna Lovegood
26. Helen McCrory as Narcissa Malfoy*
27. William Melling as Nigel
28. Devon Murray as Seamus Finnigan
29. James Phelps as Fred Weasley
30. Oliver Phelps as George Weasley
31. Daniel Radcliffe as Harry Potter
32. Anna Shaffer as Romilda Vane*
33. Geraldine Somerville as Lily Potter
34. Timothy Spall as Wormtail
35. Freddie Stroma as Cormac McLaggen*
36. Natalie Tena as Nymphadora Tonks
37. David Thewlis as Remus Lupin
38. Suzanne Toase as Alecto Carrow*
39. Emma Watson as Hermione Granger
40. Jamie Waylett as Vincent Crabbe
41. Mark Williams as Arthur Weasley
42. Bonnie Wright as Ginny Weasley

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2014/01/harry-potter-and-half-blood-prince.html.  And, yes, I consider the movie to be roughly equivalent in quality to the book, although the flaws are different.  As I noted there, the Horcruxes are mishandled in the movie in the sense that Dumbledore says they could be the most commonplace of objects, when in fact this better describes Portkeys (like the "manky old boot") and it's unlikely that Voldemort would entrust pieces of his soul to worthless objects.

One flaw is that, as in Order of the Phoenix, a romance is left unresolved, in this case that of Ginny and Dean.  (Poor Alfie Enoch is once again underused, even as a point in a triangle.)  We're told that Ginny and Dean argue, but we never actually see them break up, so when Ginny flirts with Harry at Christmastime and later, it's difficult to know how to take it.  I will say though that the girls and women are less out of character here than in the book, and I think this is Emma Watson's best performance so far.  (When she attacks Ron with conjured birds, he's not actually pecked and injured, like in the book, just frightened.)

My other gripe is that while some of the shots are lovely and/or haunting, too many of them are dark, which means losing detail on a television screen.  On the plus side, Yates turns out to have a gift for comedy, especially when characters are acting drunk or stoned, most notably Daniel Radcliffe's "pincers" moment.  And the Ron-on-Love-Potion scenes are everything they ought to be, with Radcliffe a fine straight man to Rupert's loopiness and handsiness.

Paul Davies is again a Death Eater, as he was in Goblet of Fire and would be again in both Deathly Hallows movies.  Tabatha St. Vincent was an extra in Order of the Phoenix as well.  Nathan Clarke is a Gryffindor Student, as he was in Order.  Neil Findlater was a Ministry of Magic Panel Member there and is a Wizard Teacher here.

Ifeoma Oboko would again be a Hogwarts student in Hallows I, although not specifically Gryffindor.  Elliott Francis would again be a Slug Club Member there.  Ninette Finch is an extra here but would be Augusta Longbottom in Hallows 2.  Arthur Bowen, who's Boy at Chestnut Stand, would be more prominent towards the very end of the series, as Albus Severus Potter.

Bridget Jones: The Edge of Reason

Bridget Jones: The Edge of Reason
November 19, 2004
Universal/ Miramax
Comedy, Drama, Romance
DVD
C

The faults of Bridget Jones 1-- notably the manipulative soundtrack and directing choices-- are even stronger here in the three-years-later-made but set-the-following-year sequel.  (And Bridget is now born in '72, which makes her a year younger than last time.)  Renée Zellweger as Jones is back, as are her two men, Colin Firth as Mark Darcy and Hugh Grant as Daniel Cleaver.  And so are a whole bunch of mostly under-used perfomers, among them Jim Broadbent and Gemma Jones as Bridget's parents; James Callis, Shirley Henderson, and Sally Phillips as Bridget's friends; James Faulkner and Celia Imrie as Geoffrey and Una Alconbury; Neil Pearson as Richard Finch (Bridget's boss at Sit Up, Britain); Donald Douglas as Admiral (formerly just Mr.) Darcy; and Dominic McHale as Bernard.  I was pleased that Phillips as Shazzer (looking quite fetching, especially in a Beatles cap) has more to do this time, but at that, even she disappears for chunks of the movie at a time.

What we're left with is a mix of unfunny slapstick and uneven drama.  Although the film is ostensibly (and Austensibly, this time influenced by Persuasion) about what happens after Happily Ever After, it's never really that convincing that Bridget and Mark are happy together.  So it's hard to care when they have a pregnancy scare or break up.  And when Daniel returns, it seems she may as well get off (and go off) with him instead.  I almost went with a C- on this, but I don't think it's bad, just disappointing.  And at that, it's sort of nice to see everyone again, although I wish they'd been given more to work with.  (I've read but don't own the book this is based on, although at the time of my reading blog I thought I did.)

Ray Donn was a Limo Driver in Bride & Prejudice, is a customer here, and would be a Policeman in Charlie and the Chocolate Factory.  Campbell Graham returns as Hamish and would be a Ministry Wizard in Harry Potter and the Goblet of Fire,  while Sam Beazley is Very Old Man here and would be Everard in Order of the Phoenix, and Jessica Stevenson is Magda here and would be the voice of Mafalda Hopkirk in Phoenix.  Tom Brooke, who plays a Production Assistant, would be Thick Kevin in Pirate Radio.

Harry Potter and the Chamber of Secrets

Harry Potter and the Chamber of Secrets
November 15, 2002
Warner Bros.
Children's, Comedy, Fantasy, Mystery, Horror
DVD
B

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2013/11/harry-potter-and-chamber-of-secrets.html.  I have somewhat changed my mind about the movie, but first I want to cover the regulars for this entry.  (Stars indicate newbies.)

1. Sean Biggerstaff as Oliver Wood
2. David Bradley as Argus Filch
3. John Cleese as Nearly Headless Nick
4. Robbie Coltrane as Rubeus Hagrid
5. Eleanor Columbus as Susan Bones (still not speaking, since she's not British, but she does join Hermione in crushing on Lockhart)
6. Violet Columbus (another of the director's daughters) as Girl with Flowers in one of the moving portraits*
7. Emily Dale as Katie Bell
8. Warwick Davis as Professor Flitwick
9. Louis Doyle as Ernie MacMillan*
10. Alfred Enoch as Dean Thomas
11. Scott Fearn as Adrian Pucey (although Terence Higgs before)
12. Tom Felton as Draco Malfoy
13. Richard Griffiths as Uncle Vernon Dursley
14. Rupert Grint as Ron Weasley
15. Robert Hardy as Cornelius Fudge*
16. Richard Harris as Albus Dumbledore
17. Josh Herdman as Gregory Goyle
18. David Holmes as a Slytherin Beater (although specifically Adrian Pucey before)
19. Jason Isaacs as Lucius Malfoy*
20. Toby Jones as the voice of Dobby the House Elf*
21. Matthew Lewis as Neville Longbottom
22. Harry Melling as Dudley Dursley
23. Devon Murray as Seamus Finnigan
24. James Phelps as Fred Weasley
25. Oliver Phelps as George Weasley
26. Leslie Phillips as the voice of the Sorting Hat
27. Daniel Radcliffe as Harry Potter
28. Chris Rankin as Percy Weasley
29. Adrian Rawlins as James Potter
30. Fiona Shaw as Aunt Petunia Dursley
31. Charlotte Skeoch as Hannah Abbott*
32. Geraldine Somerville as Lily Potter
33. Danielle Tabor as Angelina Johnson
34. Harry Taylor as the Station Guard
35. Emma Watson as Hermione Granger
36. Jamie Waylett as Vincent Crabbe
37. Mark Williams as Arthur Weasley*
38. Bonnie Wright as Ginny Weasley
39. Luke Youngblood as Lee Jordan

Also, Amy Puglia, who was a Quidditch Player last time, is just a Pupil this time.  Maria Coyne and Oliver Lavery-Farag again play unspecified students.  Ben Borowiecki is again a Diagon Alley Boy, here named Angus for no known reason.  (It's not like he has lines or anyone talks to him.)   Christopher O'Shea would again be an extra in Order of the Phoenix.  Jamie Dunlop makes another of his three uncredited appearances as a wizard.  

Shirley Henderson is the most in-jokily cast newbie, as Moaning Myrtle, soon after her appearance as another bathroom-weeper in the first Bridget Jones movie.  (She would return to both series.)  And Bridget's mother, an actual Ms. Jones, Gemma Jones, makes her first appearance as Madam Pomfrey, the school nurse.  Miriam Margolyes was in some of my other movies, and she first appears as Madam Sprout here.  (I had to limit tags, so Henderson and Margolyes are omitted.)

Alan Rickman and Maggie Smith both return (as Snape and McGonagall) and have their moments, although fewer than in the first movie.  Julie Walters, on the other hand, makes the most of the many more Weasley family scenes, in her role as matriarch Molly.

The main one-timer of note is Kenneth Branagh, as the vain Professor Lockhart.  Although not exactly handsome, he makes the role his own.  Along with Jason Isaacs, he shows that you don't have to be in the first movie to be impressive in the second.  (And of course there would be other later additions who would shine.)

I still have some gripes about this movie, yes, including "No Hogwarts without you," but I tried to be fair in my viewing this time.  Even with that scene, the line itself is OK.  It's the standing ovation that Hagrid gets that bugs me.  It is the first in a series of tone-deaf endings, and yet it is slightly balanced by the post-credit throw-away gag about Lockhart's latest book.  (The first movie's ending is just right though.)

The two main things I noticed this time were that the children's acting has generally improved (including Radcliffe's, who's less bland, although not at the level he'd attain later), and the movie is darker (although less than later of course).  I really do feel it is arguably both a mystery that we can solve along with Harry and friends (more so than the first movie), and a horror movie.  The latter is seen in the use of the spiders and the Basilisk.  At the same time, the movie is much more of a comedy than the first, especially in the first hour.  On the down-side, there's the beginning of the use of Ron for comic relief, which I don't resent as much as some in the fandom but it can be seen as a cheapening of his character.

There is less shiny wonder than in the first year, but this is compensated for by the general improvement.  Even the special effects and music are better than they were a year earlier.  (I like "Fawkes's Theme" best, capturing the healing and hope.)  I will admit that the pacing is not as good, but it's never dull.

So basically, it's a movie with growing pains, and good and bad mixed together, as suits the voice-changing twelve-year-old hero.

Near, far, in our motor car, oh, what a happy time we'll spend!

Bridget Jones's Diary

Bridget Jones's Diary
April 13, 2001
Miramax/Univeral/etc.
Comedy, Romance
DVD
B-

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2013/10/bridget-joness-diary.html.  And, yes, I'm giving the movie the same grade, a B-.  Due to the time it took for adaptation, and the decision to put Bridget in her "32nd year" (actually, she turns 33 later that year), she is in this incarnation very close to the age I was at the time I first saw the movie.  (Well, first and second, since I went with two different sets of friends.)  So I am to some degree looking back at pre-middle-age and shaking my head.  That desperation to please is not exactly something I relate to anymore.  And even at the time, well, Helen Fielding's heroine was more of a screw-up than anyone I knew.  She's based on Lizzie Bennet, but Lizzie never fell off an exercise bike.

Renée Zellweger makes an appealing lead, yes, despite being the wrong weight and nationality.  She brings out Bridget's vulnerability, and the movie is much sweeter than the book.  To balance this, much of the entertaining cynicism, including against the Smug Marrieds, is lost.  I also found the soundtrack and some of the directing choices (as in the street-fighting scene) overly manipulative.  Like Bridget, the movie tries too hard to please, and ends up pleasing less than if it had relaxed more.

There's no question that you have to watch this one for the cast.  (And I had to pare down my tags due to space limitations.)  Whether it's spotting not only Salman Rushdie but J. K. Rowling at the literary party (Jo is in plaid and has no lines but it is unmistakably her, at a time when her face was not yet as internationally famous as it'd become), or savoring the Austensibly perfectly cast Colin Firth as a modern Mr. Darcy and the no-Edward-Ferrars Hugh Grant as his charming cad rival, there's always someone to watch in addition to Zellweger.  I would've liked more of Bridget's best friends:  James Callis as Tom, Shirley Henderson as Jude, and Sally Phillips as Shazza.  But they Zellweger, Firth, and Grant would return for the sequel, Edge of Reason, as would Gemma Jones and Jim Broadbent as Bridget's parents, and James Faulkner and Celia Imrie as Uncle Geoffrey and Aunt Una Alconbury.  Ms. Rowling aside, there are obviously some Harry Potter connections as well as Jane Austen connections, with the future Moaning Myrtle crying in the bathroom being the most notable.

Campbell Graham would also play Hamish in the sequel, as well as a Ministry Wizard in Harry Potter and the Goblet of Fire.  Ray Donn, who's a Journalist here, would be a customer in the sequel, as well as a Limo Driver in Bride & Prejudice.  Donald Douglas, who plays Mark's father Mr. Darcy, would be promoted to Admiral Darcy for the sequel.  Neil Pearson would return as Bridget's boss at Sit Up Britain, Richard Finch, while Dominic McHale would be back as Bernard.  Crispin Bonham-Carter (distant cousin of Helena) isn't in any my other movies, but TV's Mr. Bingley can be spotted as one of the delighted office workers in the scene where Bridget tells off Daniel.

Fielding, Richard Curtis (who also wrote The Tall Guy), and Andrew Davies (of Firth's P & P) would all co-write the BJD sequel, but Sharon Maguire (the sort of inspiration for Shazzer) would be replaced as director.

Wilde

Wilde
October 17, 1997
BBC (among many others)
Historical, Romance, Drama
DVD
B+

This is an adaptation of the Ellman biography, reviewed here:  http://rereadingeverybookiown.blogspot.com/search?q=ellman.  Yes, this is certainly a case of the movie being better than the book, helped along by strong performances and uncanny casting.  Witty, gay Stephen Fry (then 40) is of course typecast as the title character, but he also brings out Wilde's vulnerability and kindness.  As Bosie, Wilde's great love, 24-year-old Jude Law brings not just blond beauty but a mixture of arrogance and charm.  (Forgive me, but I kept thinking it was like watching Draco Malfoy's great-great-grandfather.)  Jennifer Ehle, who was perfect as Lizzy in the TV adaptation of Pride & Prejudice a couple years earlier, somehow manages to play Wilde's wife Constance without making her a saint and shows us why Oscar did in some sense always love her.  I also must mention Michael Sheen as Robbie Ross, who matures from Wilde's first seducer to a true friend.  (Sheen would go on to the scenery-chewing role of Aro in the Twilight series, which I've watched for the lulz but don't own.)

If the movie has any weakness, it is that there is so much focus on Wilde's love life and not enough on his writing.  Still, there is enough of his works, particularly The Selfish Giant (which becomes a motif for the conflict between his family life and his "nature," i.e. homosexuality), that I can tag Wilde.  (I suppose Wilde was arguably bisexual, but much more oriented towards men.)  Needless to say, this movie is much more explicit than In & Out was, although never pornographic.  However, unlike the Kevin Kline movie, it does end tragically, because Wilde's life ended tragically.

Tom Wilkinson, who's quite good as Bosie's father the Marquess of Queensberry, played a very different father, Mr. Dashwood, in Sense & Sensibility.  Ironically, Gemma Jones is again playing his wife (well, ex-wife here), although they don't have scenes with each other in either film.  She would become Madam Pomfrey in the Harry Potter series, while Zoe Wanamaker, who plays Wilde's supportive friend Ada Leverson, nicknamed the Sphinx, would be Madame Hooch in the first Potter film.

Sense and Sensibility

Sense and Sensibility
January 26, 1996
Columbia
Comedy, Drama, Romance, Historical
DVD
B+

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2011/12/sense-and-sensibility.html.  On balance, I think the movie and book are equal, for reasons I discuss there.  So let me just mention a few things, I didn't cover before, in particular, the casting.  As you can see, I've tagged a heck of a lot of people, three of whom were in Peter's Friends:  Emma Thompson of course, and Hugh Laurie & Imelda Staunton, again playing a married couple, although their height difference is used for more comic effect here.  Everyone of the tagged performers, except the two Hughs and Imogen Stubbs (who is Lucy here and would shortly appear in Twelfth Night with Imelda Staunton), would be in at least one Harry Potter movie, while Grant and Jones would be in both Bridget Jones movies.

This cast cosiness adds to the feel of the movie, which is, as it title suggests, very much about thoughts and feelings.   (And Thompson, whose marriage to Kenneth Branagh was breaking up at the time, would find love with Greg Wise, who plays Willoughby here.)  With the female side of the Dashwood family in particular (Jones, Thompson, Kate Winslet, and a quite good Emilie François as Margaret), we see how much they care, not in a corny way but as if the family is central to their identities, romances aside.  Watch for instance how Edward's proposal is told not through Thompson and Grant but through the reactions of her mother and sisters.  Meanwhile, Alan Rickman gives a performance throughout the film that is more about what he doesn't say than what he does.  (And he already has developed the Snapian pauses by the way.)

The other thing I really appreciated this go-round was the scenery.  It's not as lovely as Italy in Enchanted April, but in its own understated way England (Devonshire especially) is figurative as well as literal background to the mood of the story.