Twelfth Night or What You Will

Twelfth Night or What You Will
October 25, 1996
Renaissance Films
Comedy, Romance, Historical
VHS
B-

My review of the play is here: http://rereadingeverybookiown.blogspot.com/2011/11/twelfth-night.html.  No, I wouldn't put this movie on that level-- it just doesn't build to anything-- but it is somewhat entertaining.  There are some puzzling choices for setting.  Why is it set in the Victorian period and filmed in Cornwall?  (When I saw the movie the Fall after a trip to England, I immediately recognized St. Michael's Mount on the screen.)  Not that this interferes with my enjoyment, but it is distracting.  I thought the movie did a nice job balancing the queer subtext of the original, even with women in the women's roles.

The cast is overall solid and I think Imogen Stubbs does well with Viola and Cesario, very different from her duplicity as Lucy Steele in Sense & Sensibility, since she has a reason for her deception here, and she makes both characters likable.  (Her Cesario is actually quite handsome and charming.)  As I said in my "book" review, 30-year-old Helena Bonham Carter is lovely as Olivia, and I like how she adds some sweetness and a sense of humour to the character.  Her maid Maria is played by Imelda Staunton, who had been Lucy's cousin and several years later would debut in the Harry Potter series in the same installment (fifth) as Carter, the two of them playing two very different villaineses.  Mel Smith plays Olivia's drunken uncle and does it with more subtlety than he showed in his brief self-direction in The Tall Guy.  Nigel Hawthorne, who plays Malvolio, would be Rodney Fraser in The Object of My Affection.

Sense and Sensibility

Sense and Sensibility
January 26, 1996
Columbia
Comedy, Drama, Romance, Historical
DVD
B+

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2011/12/sense-and-sensibility.html.  On balance, I think the movie and book are equal, for reasons I discuss there.  So let me just mention a few things, I didn't cover before, in particular, the casting.  As you can see, I've tagged a heck of a lot of people, three of whom were in Peter's Friends:  Emma Thompson of course, and Hugh Laurie & Imelda Staunton, again playing a married couple, although their height difference is used for more comic effect here.  Everyone of the tagged performers, except the two Hughs and Imogen Stubbs (who is Lucy here and would shortly appear in Twelfth Night with Imelda Staunton), would be in at least one Harry Potter movie, while Grant and Jones would be in both Bridget Jones movies.

This cast cosiness adds to the feel of the movie, which is, as it title suggests, very much about thoughts and feelings.   (And Thompson, whose marriage to Kenneth Branagh was breaking up at the time, would find love with Greg Wise, who plays Willoughby here.)  With the female side of the Dashwood family in particular (Jones, Thompson, Kate Winslet, and a quite good Emilie François as Margaret), we see how much they care, not in a corny way but as if the family is central to their identities, romances aside.  Watch for instance how Edward's proposal is told not through Thompson and Grant but through the reactions of her mother and sisters.  Meanwhile, Alan Rickman gives a performance throughout the film that is more about what he doesn't say than what he does.  (And he already has developed the Snapian pauses by the way.)

The other thing I really appreciated this go-round was the scenery.  It's not as lovely as Italy in Enchanted April, but in its own understated way England (Devonshire especially) is figurative as well as literal background to the mood of the story.