Showing posts with label George Hamilton. Show all posts
Showing posts with label George Hamilton. Show all posts

Saturday, September 20, 2014

Zorro: The Gay Blade

Zorro: The Gay Blade
July 17, 1981
Fox
Comedy, Romance, Historical
VHS
C

This is a slow-moving, innocuous movie with stereotypes, gay and otherwise, as well as virtually a one-man show for George Hamilton as twin brothers with multiple identities, and costumes.  Like The Pirate Movie the following year, the film has many false starts and almost-endings, but with Pirate M that only adds to the insanity, while here it prevents maintaining momentum.  There are mildly funny moments, like the "Don Jose from San Bernardino" scene, but the movie never really goes anywhere.  Also, it doesn't seem to know if it wants to be a parody, a political satire, a romance, or what.  There are worse ways to kill time, but there are definitely better ones, including other movies from '81.

Whipping master Norman Blankenship was "Man Beating Woman" in The Gong Show Movie.  Paco Morayta, Ramirez here, was Flok in Caveman.  Donovan Scott, who plays Paco, was Castor Oyl in Popeye.  Narrator Frank Welker would provide voices for both Schnoodle and Hootie in Heidi's Song.  Dick Balduzzi, 53 in the role of Old Man here, was a truck driver in Foul Play and would be a prisoner in Johnny Dangerously.

Only George Hamilton could steal scenes from himself.

Sunday, July 13, 2014

Sextette

Sextette
March 3, 1978
Crown International Pictures
Comedy, Musical
VHS
B-

From the opening lyrics that proclaim that Marlo Manners is "the female answer to Apollo" (I guess they didn't want to do a rhyme for "Venus") onward, this movie will have you scratching your head, shaking your head, dropping your jaw, and/or laughing affectionately and/or scornfully.  Even by the standards of an octogenarian Mae West sex comedy/ slash vanity production (if you thought they overdid the soft-focus on Lucy in Mame, you ain't seen nothin' yet), the movie makes little sense.  But if you start asking yourself questions like, "Why can't Marlo remember all her marriages and divorces?  Liz Taylor always managed it," or "Exactly how is this nutty scheme going to achieve world peace?", you probably won't be able to let go enough to get into the movie.  As it is, I can't say it's an enjoyably bad enough movie to hold up to more than a dozen viewings, but I still got things out of it this time, including of course being amused at the cast.

Of those I've tagged, three of them are Marlo's six (ish) husbands: Tony Curtis as Russian diplomat Alexei (hubby #2 or 3), Ringo as Polish (I think) film director Laszlo (#4), and George Hamilton as gangster Vance (#5).  (One husband, seen only in newspaper clippings, was a count.)  Number 6 (or 7) is Sir Michael Barrington, who turns out to be a spy.  Marlo's manager (Dom DeLuise) declares Sir MB is "bigger than 007," which would be ironic a dozen years later when Timothy Dalton (33 in '78) became James Bond.

As for Ken Hughes, he directed Chitty Chitty Bang Bang, which is fortunate because this is a musical.  True, some people (like Dalton) seem to be reciting lyrics more than singing, but then there are others, like DeLuise, who are giving it their all.  Most of these songs are of '60s and '70s vintage, like DeLuise's "Honey Pie" and Dalton's "Love Will Keep Us Together." The script by Herbert Baker, who also wrote the screenplay for The Girl Can't Help It, is based on West's 1961 screenplay.  I have to say that, as high a tolerance as I have for double entrendres and innuendos, even such chestnuts as West delivers here (yes, even the "gun in your pocket" one), it does get to be a bit one-note after awhile, which is why I went with a B- rather than a B.

George Raft plays a gangster named "George."  Seventy-year-old Rollin Moriyama, who's the Japanese delegate here, would soon be a Japanese doctor in Rabbit Test, then get his most famous role, as a taxi passenger in Foul Play, before becoming Chinese for Americathon.  One of the athletes, Kal Szkalak, would also be in Americathon.  Keith Allison, who plays a waiter, was apparently a '60s teen idol and famous enough to be one of the "guests at Heartland" at the end of Sgt. Pepper's Lonely Hearts Club Band.  Alice Cooper, who's almost unrecognizable here (he plays the glass piano and is greeted as Alice by DeLuise), would have a much more important role in Sgt. Pepper.  Ed Beheler seems to have made a bit of a career impersonating President Carter, but this is the only one of his six movies I own.  There are appearances by "journalists" Rona Barrett, Regis Philbin, and Gil Stratton playing themselves.  And the soon to be late Keith Moon plays a mad dress designer.

Monday, June 16, 2014

Togetherness

Togetherness
September 13, 1970
General Film Corporation
Comedy, Romance
VHS
D

Unfunny, somewhat unsavory farce with inconsistent characterization and music that alternates between a pleasant if repetitive Greekesque tune and an old-timey tune for whenever something wacky is supposed to be going on.  George Hamilton and Peter Lawford are rich playboys (Lawford a prince) who lie to a supposedly intellectual but actually very gullible blonde bombshell Yugoslavian Communist athlete.  Neither manages to seduce her but she does catch their habit of talking to and/or looking right at the camera.  Also featuring an annoying poodle that looks like a county fair prize when it's not barking, a countess who seduces Hamilton then later locks them into his bedroom, bad Yugoslavian food, and Jesse White as an ugly-American tourist.  Nice Greek scenery though.

Monday, May 26, 2014

Doctor, You've Got to Be Kidding!

Doctor, You've Got to Be Kidding!
May 10, 1967
MGM
Comedy, Romance, Musical
VHS
B+

Surprisingly funny (mostly intentionally) and surprisingly sweet story of how a "nice girl" winds up pregnant and unwed, despite not one but four suitors!  Meanwhile, her mother wants her to have a singing career.  Sandra Dee plays the girl, Celeste Holm is well cast as her mother, and George Hamilton, Bill Bixby (as "Dick Bender"), Dwayne Hickman, and the comparatively obscure Dick Kallman play the suitors.  Mort Sahl, then 40 and past his peak, but still hilarious, plays the soft-hearted but cynical and rock-hating club owner.  (I may be wrong, but I think he's the only surviving cast member.)

Besides the way the pregnancy is handled-- more obviously than in The Miracle of Morgan's Creek almost a quarter century earlier but still not too bluntly-- the film shows its era in a few ways.  Yes, the music-- with The Wild Affair as Dee's back-up band!-- and fashions, but also such touches as the coffeehouse Hickman likes to take Dee to (a bit more hippie and less beatnik than the one in Dee's Take Her, She's Mine four years earlier.)  Also, this is probably the first of my movies to have a few Negroes (as they would've been known at the time) in speaking roles, most memorably none other than Nichelle "Uhura" Nichols as Dee's fellow secretary.

I think one reason that this movie seems more intelligent than you'd expect is that it's based on the book of the same name.  It was adapted by Philip Shuken, who would go on to write Speedway, which also stars Bill Bixby.  Christopher Riordan, who's done several of my other teen and post-teen flicks (or as Sahl would say, "post-college, pre-life"), plays a nightclub patron.  Allison McKay, who plays the cigarette girl that Bixby makes out with, would be in the Pufnstuf movie.

https://www.youtube.com/watch?v=it3Ju9wX3F8

It's pretty clear who done it, what with the fireworks and all.