The Love God?

The Love God?

August 1969
Universal
Comedy
VHS
B

Written and directed by Nat Hiken, of Car 54 fame, this is both more risque and more satirical than your average Don Knotts movie.  (And I've seen my share, although I don't currently own any besides this one.)  Knotts is playing a typical character, in this case Abner Audubon Peacock IV, the fourth-generation publisher of a bird-watching magazine, but what happens to him is far from typical.  Abner is used by everyone from hippie protestors (including in France!) to pornographers to civil rights attorneys to horny women (including Anne Francis, as a tough career gal editor who sort of falls for him) to uphold the twin causes of free speech and the sexual revolution.  In one of the nicest pieces of stunt casting I've ever seen, Herb Voland, who looks so much like then new Vice-President Agnew that he'd play him in the Rich Little movie Another Fine Mess (1972, I've never seen it), plays the attorney general out to wipe out smut, and even he wants Abner to keep publishing the "dirty" version of his magazine.

This is of course delightfully dated-- especially the proto-Ralph-Furley outfits that Abner has to wear as part of his Hefner-like image-- and sometimes very funny, mostly intentionally.  I like both the details of Abner's small town, including his bird calls at the annual concerts, and the big city, well, bigness, including Abner's lush penthouse.  Abner's old secretary Miss Pickering, played by Marjorie Bennett, takes to her new job in the wild world of New York publishing so much that she's soon wearing miniskirts and dying her hair.  There are some other nice cameos, like Jim Begg's as fellow bird-watcher Hotchkiss and James Gregory's as the crusading attorney disgusted by "the filthy little degenerate" but defending the degenerate's right to publish filth, while Edmond O'Brien and Maureen Arthur are perfectly cast as the initial pornographer and his covergirl wife.  When she says that Abner wanting to hold a press conference to confess his virginity (so he can marry the wholesome and loyal minister's daughter Rose Ellen back home) is the most disgusting thing she's ever heard, I just wish there were more of her and O'Brien.

They get pushed aside not so much by Knotts and Francis as by B. S. Pully as the mobster J. Charles Twilight, AKA Icepick Charlie.  Some of the stuff with Charlie is good, like his English lessons with elderly Miss Love, who turns out to be an FBI agent, but he brings too much violence to what is mostly a frothy comedy, Vic Mizzy music and all.  Not only does he slap around O'Brien's character, but he hits Francis when she prefers Abner to him.  And even Abner punches Rose Ellen!  Yes, it's to stop her from coming closer when Icepick and his goons show up at the village church, but it's still disturbing.  I mean, this is Don Knotts!  I'd probably give the movie a B+ if it were less violent.  The sexual content though, which earned an M (today's PG-13) rather than the usual G, is fine, pretty clean by today's standards, but a great contrast to Knotts's image.  Too great for the times apparently, as this was a flop.  (Hiken died before it was released.)
It seems to have a bit of a cult following now though, and I recommend it, albeit with reservations.

Oldest Choir Member Delos Jewkes (then 75) had performed in the Munchkin Medley of The Wizard of Oz.  Choir singer Betty Noyes ironically lip-synced for Debbie Reynolds lip-syncing on "Would You" for Jean Hagen in Singin' in the Rain.  Bob Harvey plays a photographer and had been Robert the Rat in the AIP Beach Party movies.  James McHale, a reporter here, was Shorty in Spinout.

Arthur Tovey had minor roles in earlier movies of mine, like The Graduate, and here plays a club patron.  Amber Smale played Sandra Dee as a little girl in Doctor, You've Got to Be Kidding!, and was 12 by the time of her appearance here.  Angelique Pettyjohn plays a model here and was a secretary in The Cool Ones and Gloria in Clambake.  Dal McKennon plays a bird caller here and was the old soldier in Did You Hear the One About the Traveling Saleslady?

Araceli Rey, who plays the Italian cleaning lady, would be Señora Gavilan in Change of Habit.  Darlene Love (of "He's a Rebel" fame) would be a backup singer in Change, while here she's prominently featured singing "Mr. Peacock."  Glenn Dixon, a family member here, would be a sponsor in The Barefoot Executive, while Leon Alton, a club patron here, would be a TV exec there.  Barbara Bosson would do Mame.  Al Dunlap, who's the mayor here, would be a deputy in Escape to Witch Mountain.  Ceil Cabot, who has a minor role here, would be Miss McGuirk in Freaky Friday and the landlady in The Nude Bomb, but I'm guessing she's probably been seen by more people as Buddy Hinton's mother on The Brady Bunch.  

Larry McCormick, the handsome young Black man playing Rich, also has a Brady credit, as the TV announcer on the episode where Bobby wants to run away, and he had other acting credits over the next 35 years, but to a Gen-X Southern Californian like me he is of course best known as a KTLA reporter/anchor.  (His earnestness adds to the hilarity of this movie.)  Bob Hastings plays Shrader, the other assistant attorney, a very different role than his in Did You Hear the One...?  Berniece Janssen would be an extra in Nine to Five.

Did You Hear the One About the Traveling Saleslady?

Did You Hear the One About the Traveling Saleslady?
July 14, 1968
Universal
Comedy, Historical
VHS
B-

I would recommend this movie to either people over 40 who have a soft spot for silly '60s sitcoms, since it's basically a big-screen equivalent of what was playing on TV that decade, or to little kids, since there's a lot of slapstick, and the suggestive humor looks pretty mild these days.  (In fact the movie is, despite its title, rated G.)  Not only does it star Phyllis Diller at her zaniest, wearing several stunning outfits designed by Omar of Omaha, and a post-Gilligan Bob Denver, but it's full of once familiar TV faces, including future Good Morning, America host David Hartman as the constable (and the only one even attempting a rural Missouri accent).  Also, the background music is by Vic Mizzy at his mizziest.  (Sorry, no title song this time.)  The movie is set in 1910, but it doesn't particularly resemble Mary Poppins, other than it has a woman from out of town dropping in (by train rather than umbrella) and turning everyone's life upside-down.  The humor is hokey but sometimes funny, and it's not too surprising that director Don Weis helmed Pajama Party and The Ghost in the Invisible Bikini over at AIP.

Kent McCord again has a small role, as he did in John Goldfarb and Girl Happy.  Herb Vigran, who was one of the men on the train with Fred Astaire in Band Wagon, is the baggage man here and would do Lurvy's voice in Charlotte's Web.  Dal McKennon was the bearded gas station attendant in Clambake, is the Civil War veteran here, and would be a bird caller in The Love God? Bob Hastings, who's Denver's rival Lyle Chatterton here, would also be in The Love God?, as Shrader.  Jane Dulo is mostly known for her TV appearances (99's mother on Get Smart, the grandmother on Gimme a Break!, etc.), yet she not only plays Clara Buxton here but would be Miss Flick in the Pufnstuf movie, which was cowritten by one of this movie's cowriters, John Fenton Murray.  George N. Neise is Ben Milford here and would be a network exec in The Barefoot Executive.  Joe Flynn (best known for McHale's Navy) would be just as irritable in Barefoot as he is here playing banker Hubert Shelton.  Speaking of irritable men, this time Charles Lane plays Diller's boss at the player-piano company.

Lloyd Kino, who plays the Chinese laundryman that keeps flinging his laundry basket in the air whenever chaos ensues in "downtown Primrose," was then about 50 but would play "Asian Tourist Husband" almost 40 years later in Miss Congeniality 2.  (He was actually Japanese-American, born in Seattle.)

The Perils of Pauline

The Perils of Pauline
August 2, 1967
Universal
Comedy
VHS
C

A modern (but not mod) take on the 1914 serial, this starts out somewhat authentic to that earlier time, in terms of cars and clothes, but then seven years pass and suddenly we're in the world of the Peace Corps, the Berlin Wall, cosmonauts, and cryogenics.  We're not meant to take any of this seriously, so the ethnic/national stereotypes are less offensive than they could be, but mostly the movie is too bland to generate any strong emotion.

If you're going to watch this movie, it'll probably be for the cast.  No, not "Dodge Rebellion Girl" Pamela Austin as Pauline, or 33-year-old Pat Boone trying to be convincing as ages 13 to 25.  I mean the supporting cast, none of whom give stellar performances, but it's just interesting to see them show up.  Edward Everett Horton, 81 and passing as 99 1/2, plays the 2nd richest man in the world.  Bullwinkle fans will also be pleased at June Foray dubbing some of the kid voices, from Pauline as a baby to a spoiled Arab prince.  My favorite cameo was the one of William "Father Mulcahy" Christopher as a doctor, practically rolling his eyes at the corniness.  The most embarrassing appearances are possibly those of Billy Barty, as the king of the "white pygmies," and Terry-Thomas, as a "great white hunter" who falls for Pauline.  On the other hand, it's not like other roles of theirs have had much more dignity.

Keith Taylor, who was Plympton in Boy, Did I Get a Wrong Number!, is Henry here.  James Milhollin, who plays Everett's male secretary Stafford, was a hotel manager in The Cool Ones.  Vito Scotti (instantly recognizable to Gilligan's Island viewers) is the "way-out" Italian director Frandisi and would be a cook in How Sweet It Is!  Angelo Rossito, who has credits going back to the '20s (he was in Freaks), is Barty's assistant here and would be Seymour Spider and Clang on the TV show H.R. Pufnstuf, as well as the movie.  Bruce Rhodewalt, who plays Clarke, would be Wilbanks in The Barefoot Executive.  Hamilton Camp, aged up with gray hair from his 32 years, plays Boone's male secretary Thorpe, but he would have a very different role as Col. Hershey in Meatballs Part II.

Vic Mizzy did the title song that Boone sings repeatedly, but it has none of the wacky pizzazz of his usual work (on The Addams Family, Green Acres, and some other movies, including at least one coming up).