Josie and the Pussycats

Josie and the Pussycats
April 11, 2001
Universal
Comedy, Musical
DVD
B+

This movie was much misunderstood at the time, but I found it delightful then and I find it delightful now.  In fact, I still laugh really hard at the opening scene of boy band Du Jour greeting the crowd at the airport, as they lip-sync to their hit "Backdoor Lover," which is about exactly what you think it's about.  Although the movie can't sustain this giddiness, the tone of slyness and irreverence has been set.  Based as this is on an Archie comics spin-off (and two '70s Saturday morning cartoons), this really shouldn't be any better than Spice World, but it includes-- along with very catchy pop music and brightly colored costumes and sets-- the following:

• A cute and charismatic trio as the leads: Rachel Leigh Cook as Josie, Rosario Dawson as Valerie, and Tara Reid as Melody
• A very nice sismance between Josie and Val
• The aforementioned Du Jour, with Seth Green and two guys from Clueless (Donald Faison and Breckin Meyer), one of whom has a monkey named Dr. Zaius.
• Parker Posey and Alan Cumming as the scene-chewing villains
• Missi Pyle coming close to stealing the movie, even if she's playing a character (Alexandra) who is only there because "I was in the comic."  Her delivery on the line accusing Josie of sleeping with Mr. Moviefone is classic.  (And now I guess it's one of the more dated jokes, since no one calls up to find movie times anymore.)
• Over-the-top product placement, which the film-makers didn't make a dime on
• A Eugene Levy cameo (as himself, "the actor") at a time when he seemed to be in every other movie out there
• A hip/nerd sensibility with music jokes for more than one generation, not just about then current pop but about the Captain & Tennille (and Chief)
• A subliminal-message message that is itself mocked
• A reference to Cumming's character in Romy and Michele 

Harry Elfont and Deborah Kaplan co-wrote A Very Brady Sequel as well, but this time they also direct.  Corinne Reilly, who's the Aquarium Tour guide here, would be a Reporter in Legally Blonde.

A Very Brady Sequel

A Very Brady Sequel
August 23, 1996
Paramount
Comedy, Musical
DVD
B+

Yes, the sequel is better than its predecessor.  It's funnier, more focused, more musical, and yes, more Brady.  (Bradier?)  Even the youngest kids seem to have more to do here, although again the Marcia-Jan rivalry is the highlight, with Jan going to great lengths to convince her popular older sister of the existence of George Glass.  This seems to have struck a chord in recent months, with even "Sure, Jan" having gone viral.

The main plot though is about a conman who pretends to be Mrs. Brady's not actually dead husband.  He's played by Tim Matheson who had done his share of '60s TV and movies, notably as the college-age dad in How to Commit Marriage (then spelling his last name Matthieson).  This makes his horror at the Bradys, particularly their tendency to burst into bright, cheerful songs and choreography, all the better, with the Brady Kids mushroom trip a high comedically and otherwise.  His "return" also means that Greg and Marcia realize they're not actually related (even by marriage), which leads to some borderline incestuous lust that you're either going to find disgusting or hilarious.  (I'm in the latter camp of course.)

There are again a lot of in-jokes for Brady fans, and this time a pay-off that involves Gilligan's Island.  Also, we get a cameo from Barbara Eden, who seems hardly to have aged in the almost 40 years since she was Miss Carstairs in Will Success Spoil Rock Hunter? However, neither she nor Groucho now holds the longevity record, because Art Patron Sue Casey turns up 43 years after she was Tall Girl at Arcade in Band Wagon.  (And I know her best as the MILFy Anne Duval in Catalina Caper, but the MST3K version will be discussed on my TV blog someday.)  Steven Gilford and RuPaul reprise their roles as respectively Mr. Philips and Ms. Cummings.

Two of the four writers, Harry Elfont and Deborah Kaplan, would also co-write Josie and the Pussycats, which they would co-direct as well.  In a different way than Bonnie & Terry Turner, they've got a love for garish but bubbly pop-culture kitsch.