Twelfth Night or What You Will

Twelfth Night or What You Will
October 25, 1996
Renaissance Films
Comedy, Romance, Historical
VHS
B-

My review of the play is here: http://rereadingeverybookiown.blogspot.com/2011/11/twelfth-night.html.  No, I wouldn't put this movie on that level-- it just doesn't build to anything-- but it is somewhat entertaining.  There are some puzzling choices for setting.  Why is it set in the Victorian period and filmed in Cornwall?  (When I saw the movie the Fall after a trip to England, I immediately recognized St. Michael's Mount on the screen.)  Not that this interferes with my enjoyment, but it is distracting.  I thought the movie did a nice job balancing the queer subtext of the original, even with women in the women's roles.

The cast is overall solid and I think Imogen Stubbs does well with Viola and Cesario, very different from her duplicity as Lucy Steele in Sense & Sensibility, since she has a reason for her deception here, and she makes both characters likable.  (Her Cesario is actually quite handsome and charming.)  As I said in my "book" review, 30-year-old Helena Bonham Carter is lovely as Olivia, and I like how she adds some sweetness and a sense of humour to the character.  Her maid Maria is played by Imelda Staunton, who had been Lucy's cousin and several years later would debut in the Harry Potter series in the same installment (fifth) as Carter, the two of them playing two very different villaineses.  Mel Smith plays Olivia's drunken uncle and does it with more subtlety than he showed in his brief self-direction in The Tall Guy.  Nigel Hawthorne, who plays Malvolio, would be Rodney Fraser in The Object of My Affection.

The Tall Guy

The Tall Guy
Sept. 21, 1990
Working Title Films
Comedy, romance
DVD
B

This is another decade-straddler, released in '90, listed as '89 in IMDB, and in fact copyright '88.  Similarly, it's a very British movie with a very American star, Jeff Goldblum.  He's paired with then almost 30-year-old Emma Thompson, in her first film, although she'd done some stage and TV work.  The director Mel Smith (who'd made Morons from Outer Space a few years before) and writer Richard Curtis (whose later films I have mixed feelings about) both have uncredited cameos.  And Rowan Atkinson, who is cruelly parodying himself, had worked with Curtis on Black Adder.  (Much of the cast here had small roles on that TV series.)  So there's an endearing semi-newbies-larking-about feel to the movie, even a quarter century later.

As in Morons, the closing credits show comedy highlights edited jerkily to a pop song, in this case Madness's "It Must Be Love," which earlier appears in a sort of music-video, where much of the cast (including Goldblum's underwear) sing along.  There are in fact two great sequences in this film, surrounded by some pretty good stuff: the room-wrecking sex scene and the five minutes of the stage-musical version of The Elephant Man, known as Elephant.  (It's never clear if this includes an exclamation point.)  As funny as what happens onstage is, the best part is Thompson's trying-to-be-supportive-but-terribly-appalled reaction, as Goldblum's "nymphomaniac" live-in landlady (platonic with him) eats the cheesiness up.

Getting back to that sex scene, when I first saw this movie with a roomful of friends about twenty years ago, we all laughed uproariously at it, then rewound and laughed hard a second time.  It is also sexy of course, but then I have crushes on both Goldblum and Thompson.  The thing is, they both look far from their best here.  Her hair is too short, his too long; and their clothes are unflattering.  But somehow that adds to the charm of the movie, that it's deliberately unglamorous.  And they both have amazing eyes and smiles, especially when they look at each other, so who cares really?  He's playing a struggling actor named Dexter King (working for "Ron Anderson," Curtis was being semi-autobiographical), and she's a deadpan nurse named Kate Lemon.  The plot is slight but it's more of a character comedy, and the characters are definitely interesting, including the supporting cast.

Two decades ago, I'd have rated this higher, a B+ or maybe even an A-, but I have seen it several times and, as with Morons, much of the novelty has worn off.  It's the kind of movie I wouldn't want to oversell, since it is just a little gem, relatively obscure in Thompson's and of course Goldblum's ouevre.  But as "un film de Mel Smith," it's très bon.

Robin Driscoll, who was Space Pilot in Morons, is one of the Actors in Agent's Office here.  Another future Harry-Potterite, then 25ish Jason Isaacs (Lucius Malfoy), makes his big-screen debut here, as Doctor #2.

It must be love, love, love.

Morons from Outer Space

Morons from Outer Space
March 29, 1985
Thorn EMI
Comedy, Sci-Fi
VHS
B-

Written by and starring comedy partners Griff Rhys Jones and Mel Smith (although they don't appear together till the final scene), this silly but never moronic British comedy doesn't feel as fresh as when I first saw it on cable a few years after its release, but it still makes me smile.  Part of the problem is not just that I've seen it before (after all, that didn't hurt Johnny Dangerously), but also that that style of physical comedy and sight gags, with "surprise" elements popping up, has been used so much since then.  (However, the "brick joke" that goes much faster than the TV Tropes' examples still impresses me with its timing.)  Most of the gags actually work better in the closing credits, set to the title tune (sung by the Morons).  Also, the film references are to movies I've either never seen or haven't seen in decades.

Still, it's an amiable if twisted movie.  It takes balls to cast James B. Sikking as gung-ho Col. Raymond Larrabee, CIA, and then kill him off early in the movie.  (He does show up for one of those dead-guy reaction-shots that were apparently popular in the mid-'80s, cf. Johnny Dangerously.)  The trio of moronic aliens, with their Northern accents (sorry, I can't place them more specifically than that, other than non-Liverpudlian), have no redeeming features but they're fun to watch, especially in their New-Wavey rock concert gear.  My favorite performer is Dinsdale Landen, who remains stiff-upper-lip as Commander Grenville Matteson, even when chaos breaks out around him, until he falls for (and serenades) the female alien.  Smith is "the fourth alien" and Jones is their manager.

This time Miriam Margolyes plays the fat little scientist the other scientists try to push through the air shaft; she would of course later become Harry Potter's Herbology teacher.  And Derek Deadman, who's Man in Car, would be the first Tom the Bartender at the Leaky Cauldron.  Peter Whitman, who's Friborg here, was a Yeshiva student in Yentl.  Space Pilot Robin Driscoll would be Actor in Agent's Office in Smith's The Tall Guy.

Any resemblance to Alannah Currie is purely coincidental.