Showing posts with label Walter Brooke. Show all posts
Showing posts with label Walter Brooke. Show all posts

Sunday, June 8, 2014

How Sweet It Is!

How Sweet It Is!
August 21, 1968
Cherokee Productions
Comedy
VHS
C+

Speaking of big-screen sitcoms....Well, OK, this Jerry-Paris-directed movie is less like a '60s sitcom than Did You Hear the One...? was, and more like a very extended episode of Love American Style (which would premiere the next year).  It's a little surprising to find that the book it's based on, The Girl in the Turquoise Bikini, came out as far back as '61, but that may explain the title change, since by '68 movie titles with the word "bikini" in them sounded a bit dated.  (Even It's a Bikini World was pushing it in '67, and that was made in '65.)  Debbie Reynolds is the title character, and looks quite fetching in the bikini, but she is 36 at this point and playing a woman of her own age, with a 15-year-old son.  Her husband, played by James Garner, thinks she looks indecently exposed, especially when she wears the bikini in a pool with a seductive Frenchman.  Meanwhile, a pretty tour guide is flirting with Garner, although he doesn't fall for her as Moondoggie did in Gidget Goes to Rome.  Also meanwhile, their son (who wears a peace necklace and has hair scandalously down to his chin) has his own love troubles.  This leads to the whole family winding up in the middle of a whorehouse brawl.

The movie is another example of the mainstream trying to cope with changing times, so it isn't particularly sweet.  You might hope for camp, and there is a bit, but the energy is off.  There are lots of jokes that misfire, like one that I think is about a lesbian having a riding crop.  I don't like that we're supposed to admire hot-tempered Garner, who threatens people, including his wife, with violence, and think that his sensitive son, who believes in not only peace but honesty and freedom in relationships, needs to grow up and "become a man."  The main enjoyment I got out of the movie was the music, including the Mamas & Papas-like title song, and the supporting cast, including of course many TV faces.

This was co-written by Garry Marshall, who does a voiceover as a belching young man and then later appears in the brothel in a baseball uniform.  Yes, that's Garry kid sister Penny, then 24 but passing for 16, as one of the girls on the tour.  And, yes, the little girl who answers the pay phone in the park is 7-year-old Erin Moran, the future Joanie Cunningham.

Paul Lynde steals a few scenes as the purse-lipped purser, while Terry-Thomas steals $1000 of Reynolds's savings and then of course disappears from the movie.  This time Vito Scotti plays the cook who kisses Reynolds on the stomach when she flashes her bikini.  Myrna Ross, formerly one of Von Zipper's Mice in the Beach Party movies, shows up as an "Agatzi girl" (working for Gino Conforti, later of Three's Company).  Another hooker, Eve Bruce, was a harem girl in John Goldfarb.  Walter Brooke, who plays Garner's henpecked boss, is better known for advising on plastics in The Graduate.

Alexandra Hay, who plays the "Are you sure you're 16?"-year-old Gloria would have a more prominent role as Darlene Banks, the hippie daughter of Jackie Gleason and Carol Channing, in Skidoo.  Johnny Silver, who plays "zipper man," would be Dr. Blinky and Ludicrous Lion in both the Pufnstuf show and film.

It is a turquoise bikini in the movie.  And, no, I don't know why they changed Garner's reaction.

Friday, May 30, 2014

The Graduate

The Graduate
December 22, 1967
Embassy
Drama, Musical
DVD
B-

Thirty-six-year-old Anne Bancroft seduces 30-year-old Dustin Hoffman, who then pursues 27-year-old Katharine Ross in this generation-gap comedy that's actually a drama.  Confused?  I think this movie has confused a lot of people over the decades.  Is Hoffman's character Benjamin a hero or an antihero?  Neither?  Is he a stalker, and if so, why is Elaine encouraging him somewhat?  Is Mrs. Robinson sexy or deranged, or both?  Neither?

Watching it this time-- and I did buy the DVD specifically for this project, although I had it on VHS-- I was most struck by how joyless the three main characters are.  The only moments of delight are when Benjamin "carries Elaine off" from her wedding, and when Benjamin is amused by the details of Elaine's out-of-wedlock conception in a Ford.  (Honestly, they couldn't come up with a funnier car?)  Is the message that upper-class suburbia is unsatisfying?  If so, why are Ben's parents and most of the other characters generally content?

I review the 1963 book here:  http://rereadingeverybookiown.blogspot.com/2012/07/graduate.html.  I just want to add a few things.  One, I do consider the movie superior, although not great.  (I'd probably give it a B if not for the last half hour, when everyone goes off the rails.)  We do see more of the emotions of the characters, including Mr. Robinson's.  The soundtrack isn't as good as I remembered, mostly due to the songs being repeated too often, although they're integrated well, especially the way the beats and scatting of "Here's to You, Mrs. Robinson" are used for humor when Ben tries to find the church and his car runs out of gas.

Aside from its relatively explicit sexual themes for its time, and the way it shows alienated youth, I think the film is most remarkable for its cast.  Even if you're bored (which I don't think you will be), you can at least have fun spotting familiar faces.  Buck Henry cowrote the script and has a nice little cameo as the desk clerk in what's probably the funniest sequence, showing Ben's nervousness about checking into the hotel.  Later, that's director Mike Nichols's comedy partner Elaine May as the girl bringing Elaine's note to Benjamin.  Mike Farrell plays one bellhop, while little person Buddy Douglas plays another.  (Douglas would go on to Pufnstuf, the show and movie.)  Two Bewitched ladies appear in a reception line, Alice Ghostley (Esmeralda) and Marion Lorne (Aunt Clara).

Arthur Tovey was an onlooker at the soap factory in Boy, Did I Get a Wrong Number, is a hotel guest here, and would be a club patron in The Love God?  Another hotel guest, Frank Baker, was Bearded Gentleman in Bank in Mary Poppins.  Walter Brooke, who plugs plastics as Mr. McGuire, would be Haskell Wax in How Sweet It Is!  Brian Avery, who plays Elaine's WASPy groom Carl Smith, would be a more ethnic Herald Cohen in Sleeper.  Elizabeth Fraser, who plays Second Lady, would do 9 to 5.  Elizabeth Wilson, who plays Ben's mother, would still look young enough (at almost 60) to play Roz in that movie.  William Daniels, most famous for St. Elsewhere, I think doesn't show up in any of my other movies until The Blue Lagoon.  As Norman Fell would point out on It's Garry Shandling's Show a couple decades later, Fell was not only Jack & Janet's landlord but Dustin Hoffman's.  One of his other tenants, the one who suggests calling the cops, is 20-year-old Richard Dreyfuss, who would have a much larger and sillier role in Hello Down There.


Hoffman, Dreyfuss, Fell