Bridget Jones: The Edge of Reason

Bridget Jones: The Edge of Reason
November 19, 2004
Universal/ Miramax
Comedy, Drama, Romance
DVD
C

The faults of Bridget Jones 1-- notably the manipulative soundtrack and directing choices-- are even stronger here in the three-years-later-made but set-the-following-year sequel.  (And Bridget is now born in '72, which makes her a year younger than last time.)  Renée Zellweger as Jones is back, as are her two men, Colin Firth as Mark Darcy and Hugh Grant as Daniel Cleaver.  And so are a whole bunch of mostly under-used perfomers, among them Jim Broadbent and Gemma Jones as Bridget's parents; James Callis, Shirley Henderson, and Sally Phillips as Bridget's friends; James Faulkner and Celia Imrie as Geoffrey and Una Alconbury; Neil Pearson as Richard Finch (Bridget's boss at Sit Up, Britain); Donald Douglas as Admiral (formerly just Mr.) Darcy; and Dominic McHale as Bernard.  I was pleased that Phillips as Shazzer (looking quite fetching, especially in a Beatles cap) has more to do this time, but at that, even she disappears for chunks of the movie at a time.

What we're left with is a mix of unfunny slapstick and uneven drama.  Although the film is ostensibly (and Austensibly, this time influenced by Persuasion) about what happens after Happily Ever After, it's never really that convincing that Bridget and Mark are happy together.  So it's hard to care when they have a pregnancy scare or break up.  And when Daniel returns, it seems she may as well get off (and go off) with him instead.  I almost went with a C- on this, but I don't think it's bad, just disappointing.  And at that, it's sort of nice to see everyone again, although I wish they'd been given more to work with.  (I've read but don't own the book this is based on, although at the time of my reading blog I thought I did.)

Ray Donn was a Limo Driver in Bride & Prejudice, is a customer here, and would be a Policeman in Charlie and the Chocolate Factory.  Campbell Graham returns as Hamish and would be a Ministry Wizard in Harry Potter and the Goblet of Fire,  while Sam Beazley is Very Old Man here and would be Everard in Order of the Phoenix, and Jessica Stevenson is Magda here and would be the voice of Mafalda Hopkirk in Phoenix.  Tom Brooke, who plays a Production Assistant, would be Thick Kevin in Pirate Radio.

Bridget Jones's Diary

Bridget Jones's Diary
April 13, 2001
Miramax/Univeral/etc.
Comedy, Romance
DVD
B-

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2013/10/bridget-joness-diary.html.  And, yes, I'm giving the movie the same grade, a B-.  Due to the time it took for adaptation, and the decision to put Bridget in her "32nd year" (actually, she turns 33 later that year), she is in this incarnation very close to the age I was at the time I first saw the movie.  (Well, first and second, since I went with two different sets of friends.)  So I am to some degree looking back at pre-middle-age and shaking my head.  That desperation to please is not exactly something I relate to anymore.  And even at the time, well, Helen Fielding's heroine was more of a screw-up than anyone I knew.  She's based on Lizzie Bennet, but Lizzie never fell off an exercise bike.

Renée Zellweger makes an appealing lead, yes, despite being the wrong weight and nationality.  She brings out Bridget's vulnerability, and the movie is much sweeter than the book.  To balance this, much of the entertaining cynicism, including against the Smug Marrieds, is lost.  I also found the soundtrack and some of the directing choices (as in the street-fighting scene) overly manipulative.  Like Bridget, the movie tries too hard to please, and ends up pleasing less than if it had relaxed more.

There's no question that you have to watch this one for the cast.  (And I had to pare down my tags due to space limitations.)  Whether it's spotting not only Salman Rushdie but J. K. Rowling at the literary party (Jo is in plaid and has no lines but it is unmistakably her, at a time when her face was not yet as internationally famous as it'd become), or savoring the Austensibly perfectly cast Colin Firth as a modern Mr. Darcy and the no-Edward-Ferrars Hugh Grant as his charming cad rival, there's always someone to watch in addition to Zellweger.  I would've liked more of Bridget's best friends:  James Callis as Tom, Shirley Henderson as Jude, and Sally Phillips as Shazza.  But they Zellweger, Firth, and Grant would return for the sequel, Edge of Reason, as would Gemma Jones and Jim Broadbent as Bridget's parents, and James Faulkner and Celia Imrie as Uncle Geoffrey and Aunt Una Alconbury.  Ms. Rowling aside, there are obviously some Harry Potter connections as well as Jane Austen connections, with the future Moaning Myrtle crying in the bathroom being the most notable.

Campbell Graham would also play Hamish in the sequel, as well as a Ministry Wizard in Harry Potter and the Goblet of Fire.  Ray Donn, who's a Journalist here, would be a customer in the sequel, as well as a Limo Driver in Bride & Prejudice.  Donald Douglas, who plays Mark's father Mr. Darcy, would be promoted to Admiral Darcy for the sequel.  Neil Pearson would return as Bridget's boss at Sit Up Britain, Richard Finch, while Dominic McHale would be back as Bernard.  Crispin Bonham-Carter (distant cousin of Helena) isn't in any my other movies, but TV's Mr. Bingley can be spotted as one of the delighted office workers in the scene where Bridget tells off Daniel.

Fielding, Richard Curtis (who also wrote The Tall Guy), and Andrew Davies (of Firth's P & P) would all co-write the BJD sequel, but Sharon Maguire (the sort of inspiration for Shazzer) would be replaced as director.

Enchanted April

Enchanted April
April 5, 1992
Miramax
Comedy, Drama, Romance, Historical
VHS
A-

In reviewing the book on which this is based, http://rereadingeverybookiown.blogspot.com/2012/04/enchanted-april.html, I said that I'd probably give the movie a B+.  But on this, my first viewing in about four years, I found it was even better than I remembered.  Yes, I'm still not entirely satisfied with how the husbands are handled, but the film is nonetheless, as Lottie puts it, a tub of love.  I kept thinking the word "beautiful" again and again.  The movie was shot for television but then released for the big screen, and of course I watch it on TV, on one of three VHS tapes that my ex-husband and I made (we were both big fans), but you could probably watch it on a smart device and still see how lush the scenery is, how the women (even Mrs. Fisher) look like living, breathing paintings.

And the dialogue and narration are in turns sweet, funny, and heart-breaking.  It may well be the movie I own with the least action (even what would develop into a fight scene or a robbery in another story has a happy or at least comedic ending).  It's a reflective, vacation-like movie, and yet there is an undercurrent of sadness, with these characters hurt by loss of love.  Yet Spring means rebirth.

I came to this movie originally because of my fanhood of Josie Lawrence (physically but not spiritually miscast as Lottie).  She's quite lovable on the British comedy-game show Whose Line Is It Anyway?, and she's equally lovable here, although Lottie seems to have little in common with her, other than a tendency to say things she didn't intend to.  The rest of the cast is generally strong, but she still stands out as the heart of this movie.

This film is notable for beginning what I call the Three Degrees of Harry Potter and/or Jane Austen.  This is the rule that after a certain point, every British film has someone who was in a Jane Austen adaptation and/or a Harry Potter movie, or at least has someone who's a degree or two from someone who was.  Polly Walker (Lady Caroline) would show up in Emma, while director Mike Newell would helm Goblet of Fire, which has Miranda Richardson as the very un-Rose-Arbuthnot-like Rita Skeeter.  And Jim Broadbent, who's Rose's husband here, would appear as Professor Slughorn later in the series.