Music and Lyrics

Music and Lyrics
February 14, 2007
Castle Rock etc.
Comedy, Romance, Musical
DVD
B-

Writer-director Marc Lawrence did Two Weeks Notice and there are some obvious similarities, most particularly the coasting on Hugh Grant's chemistry with his leading lady, in this case the equally rom-com-prone Drew Barrymore.  Also, the film is set in New York and there's a sounding-board sibling, this time an older sister for Drew's character Sophie.  As such, the movie also has parallels with Going the Distance, although that movie would turn rom-com tropes inside out.  This one is more standard, but amiable enough to make me wish it were better.  The best aspect is undoubtedly Grant's character's former stardom in an '80s pop band called Pop!  (With the exclamation point, à la Wham!)  A perfect parody video opens the movie and nothing after that can live up to it.  My advice: put your expectations low and just enjoy this movie for what it is. 

Stephen Detherage was a News Intern in Groundhog Day and is Al the Concert Shirt Vendor here.   Carlos Velazquez was a Musician in School of Rock but is a waiter here, while Kathleen McNenny was Freddy's Mother there and is Gloria here.  Charlotte Maier had played Hugh Grant's ex-wife Helen Wade in Two WN and plays Barbara here, while Adam Grupper was her lawyer before and is Gary here, and Jason Antoon was Norman there and has a more memorable role here as angsty songwriter Greg Antonsky.

Thelma O'Leary plays a Concert Attendee here and would soon be a Park Attendee in Enchanted, while Robert Sciglimpaglia is a Class of 1987 Alumnus here and would play a Ball Room Guest there.  Mark A. Keeton is Sloan's Dinner Companion here and would be Denim Suit Guy in Baby Mama.  Zack Orth was Mike in In & Out and J.J. in Wet Hot American Summer, and is David Newbert (TV Executive #1) here.  (He would also go on to be a Waiter in They Came Together.)

Bridget Jones: The Edge of Reason

Bridget Jones: The Edge of Reason
November 19, 2004
Universal/ Miramax
Comedy, Drama, Romance
DVD
C

The faults of Bridget Jones 1-- notably the manipulative soundtrack and directing choices-- are even stronger here in the three-years-later-made but set-the-following-year sequel.  (And Bridget is now born in '72, which makes her a year younger than last time.)  Renée Zellweger as Jones is back, as are her two men, Colin Firth as Mark Darcy and Hugh Grant as Daniel Cleaver.  And so are a whole bunch of mostly under-used perfomers, among them Jim Broadbent and Gemma Jones as Bridget's parents; James Callis, Shirley Henderson, and Sally Phillips as Bridget's friends; James Faulkner and Celia Imrie as Geoffrey and Una Alconbury; Neil Pearson as Richard Finch (Bridget's boss at Sit Up, Britain); Donald Douglas as Admiral (formerly just Mr.) Darcy; and Dominic McHale as Bernard.  I was pleased that Phillips as Shazzer (looking quite fetching, especially in a Beatles cap) has more to do this time, but at that, even she disappears for chunks of the movie at a time.

What we're left with is a mix of unfunny slapstick and uneven drama.  Although the film is ostensibly (and Austensibly, this time influenced by Persuasion) about what happens after Happily Ever After, it's never really that convincing that Bridget and Mark are happy together.  So it's hard to care when they have a pregnancy scare or break up.  And when Daniel returns, it seems she may as well get off (and go off) with him instead.  I almost went with a C- on this, but I don't think it's bad, just disappointing.  And at that, it's sort of nice to see everyone again, although I wish they'd been given more to work with.  (I've read but don't own the book this is based on, although at the time of my reading blog I thought I did.)

Ray Donn was a Limo Driver in Bride & Prejudice, is a customer here, and would be a Policeman in Charlie and the Chocolate Factory.  Campbell Graham returns as Hamish and would be a Ministry Wizard in Harry Potter and the Goblet of Fire,  while Sam Beazley is Very Old Man here and would be Everard in Order of the Phoenix, and Jessica Stevenson is Magda here and would be the voice of Mafalda Hopkirk in Phoenix.  Tom Brooke, who plays a Production Assistant, would be Thick Kevin in Pirate Radio.

Two Weeks Notice

Two Weeks Notice
December 20, 2002
Warner Bros.
Comedy, Romance
VHS
B-

Marc Lawrence, who co-wrote Sandra Bullock's Miss Congeniality and would go on to Hugh Grant's Music and Lyrics, wrote and directed this formulaic but mostly satisfying rom-com that pairs Bullock and Grant.  They play respectively, a driven left-wing lawyer and a lazy but intelligent rich man.  Their chemistry fuels the movie, both of them playing off of their established personas, but putting little twists on the lines.  There is an extra layer of political subtext to the movie in that his character is named George Wade, and the W figures prominently.  But not much is done with this.  It's just sort of there.  And, yes, there should be an apostrophe after the S in "Weeks."  I think this is symbolic of how the movie feels thrown together but nonetheless works, most of the time.

Heather Burns has a much smaller role here than she did as Cheryl Frasier in Miss Congeniality, but she's again sweet and funny as Bullock's best friend, here named Meryl Brooks.  Jeannette Gould was an Audience Member in In & Out and is a Senior Center Woman here, while Adam LeFevre was a Bachelor Party Guest there and is the RV Man here.  And John Cunningham, who was great as the "Be a Man" Tape Instructor, plays a Justice of the Peace here.  George Gearhart King III was a School Child in Object of My Affection, and his appearance here as RV Son is his only other credit.  Iraida Polanco, who was Carmelita there, is Rosario there.

Steven Weisz, who's a Charity Ball Attendee, would be a Stunned Pedestrian in Enchanted.  Adam Grupper, who's the Lawyer for Wade's ex-wife, would in Gary in Music and Lyrics, while Charlotte Maier, who's Helen Wade here, would be Barbara there.

Bridget Jones's Diary

Bridget Jones's Diary
April 13, 2001
Miramax/Univeral/etc.
Comedy, Romance
DVD
B-

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2013/10/bridget-joness-diary.html.  And, yes, I'm giving the movie the same grade, a B-.  Due to the time it took for adaptation, and the decision to put Bridget in her "32nd year" (actually, she turns 33 later that year), she is in this incarnation very close to the age I was at the time I first saw the movie.  (Well, first and second, since I went with two different sets of friends.)  So I am to some degree looking back at pre-middle-age and shaking my head.  That desperation to please is not exactly something I relate to anymore.  And even at the time, well, Helen Fielding's heroine was more of a screw-up than anyone I knew.  She's based on Lizzie Bennet, but Lizzie never fell off an exercise bike.

Renée Zellweger makes an appealing lead, yes, despite being the wrong weight and nationality.  She brings out Bridget's vulnerability, and the movie is much sweeter than the book.  To balance this, much of the entertaining cynicism, including against the Smug Marrieds, is lost.  I also found the soundtrack and some of the directing choices (as in the street-fighting scene) overly manipulative.  Like Bridget, the movie tries too hard to please, and ends up pleasing less than if it had relaxed more.

There's no question that you have to watch this one for the cast.  (And I had to pare down my tags due to space limitations.)  Whether it's spotting not only Salman Rushdie but J. K. Rowling at the literary party (Jo is in plaid and has no lines but it is unmistakably her, at a time when her face was not yet as internationally famous as it'd become), or savoring the Austensibly perfectly cast Colin Firth as a modern Mr. Darcy and the no-Edward-Ferrars Hugh Grant as his charming cad rival, there's always someone to watch in addition to Zellweger.  I would've liked more of Bridget's best friends:  James Callis as Tom, Shirley Henderson as Jude, and Sally Phillips as Shazza.  But they Zellweger, Firth, and Grant would return for the sequel, Edge of Reason, as would Gemma Jones and Jim Broadbent as Bridget's parents, and James Faulkner and Celia Imrie as Uncle Geoffrey and Aunt Una Alconbury.  Ms. Rowling aside, there are obviously some Harry Potter connections as well as Jane Austen connections, with the future Moaning Myrtle crying in the bathroom being the most notable.

Campbell Graham would also play Hamish in the sequel, as well as a Ministry Wizard in Harry Potter and the Goblet of Fire.  Ray Donn, who's a Journalist here, would be a customer in the sequel, as well as a Limo Driver in Bride & Prejudice.  Donald Douglas, who plays Mark's father Mr. Darcy, would be promoted to Admiral Darcy for the sequel.  Neil Pearson would return as Bridget's boss at Sit Up Britain, Richard Finch, while Dominic McHale would be back as Bernard.  Crispin Bonham-Carter (distant cousin of Helena) isn't in any my other movies, but TV's Mr. Bingley can be spotted as one of the delighted office workers in the scene where Bridget tells off Daniel.

Fielding, Richard Curtis (who also wrote The Tall Guy), and Andrew Davies (of Firth's P & P) would all co-write the BJD sequel, but Sharon Maguire (the sort of inspiration for Shazzer) would be replaced as director.

Sense and Sensibility

Sense and Sensibility
January 26, 1996
Columbia
Comedy, Drama, Romance, Historical
DVD
B+

My review of the book is here:  http://rereadingeverybookiown.blogspot.com/2011/12/sense-and-sensibility.html.  On balance, I think the movie and book are equal, for reasons I discuss there.  So let me just mention a few things, I didn't cover before, in particular, the casting.  As you can see, I've tagged a heck of a lot of people, three of whom were in Peter's Friends:  Emma Thompson of course, and Hugh Laurie & Imelda Staunton, again playing a married couple, although their height difference is used for more comic effect here.  Everyone of the tagged performers, except the two Hughs and Imogen Stubbs (who is Lucy here and would shortly appear in Twelfth Night with Imelda Staunton), would be in at least one Harry Potter movie, while Grant and Jones would be in both Bridget Jones movies.

This cast cosiness adds to the feel of the movie, which is, as it title suggests, very much about thoughts and feelings.   (And Thompson, whose marriage to Kenneth Branagh was breaking up at the time, would find love with Greg Wise, who plays Willoughby here.)  With the female side of the Dashwood family in particular (Jones, Thompson, Kate Winslet, and a quite good Emilie François as Margaret), we see how much they care, not in a corny way but as if the family is central to their identities, romances aside.  Watch for instance how Edward's proposal is told not through Thompson and Grant but through the reactions of her mother and sisters.  Meanwhile, Alan Rickman gives a performance throughout the film that is more about what he doesn't say than what he does.  (And he already has developed the Snapian pauses by the way.)

The other thing I really appreciated this go-round was the scenery.  It's not as lovely as Italy in Enchanted April, but in its own understated way England (Devonshire especially) is figurative as well as literal background to the mood of the story.