The Ghost in the Invisible Bikini

The Ghost in the Invisible Bikini
April 6, 1966
AIP
Comedy, Horror, Musical
VHS
C

Although this has the director, Don Weis, of Pajama Party, and the writer, Louis M. Heyward, of Pajama Party and Sgt. Deadhead, it never reaches the delightful outrageousness of either movie.  It's not for lack of throwing a very eclectic cast and plot elements together, since we get:

• As primary heroes Tommy Kirk, Deborah Walley, and Patsy Kelly
• As secondary heroes, what's passing for the teen crowd these days, headed by a no longer studly but now scaredy-cat Aron Kincaid and a supposed to be mousy Nancy Sinatra, who gets only one song
• A musical number, with dancing on beds and bad rhymes, by petite Italian singer Piccola Pupa sort of as herself
• As primary villains, Basil Rathbone, his sexy but nearsighted daughter named Sinistra, a now bitchy and American Bobbi Shaw in a harem outfit, an Indian named Chicken Feather, Jesse White again as J. Sinister Hulk, and of course Mr. Robot Monster himself, George Barrows, as Monstro the gorilla  (I used to own Robot Monster, but lost it long ago and never got around to replacing it.)
• As secondary villains (and the only carryovers from Beach Party, which now seems a long three years ago), Von Zipper and his gang, who spend most of the movie hardly interacting with the rest of the cast
• Boris Karloff, in a somewhat larger role than his cameo in Bikini Beach, as The Corpse, whose will and hidden fortune bring everyone to his decrepit but stately mansion
• The thirty-years-dead title character, played by Susan Hart in an unflattering blonde wig and a non-'30s-compliant bikini (not invisible in any suggestive way), and given annoying mannerisms and unexplained changes in size (the special effects are unimpressive)
• The Bobby Fuller Four performing "Swing A-Ma Thing" in what looks like a Wham-O commercial
• A torture chamber populated by robots
• A muddied theology, where if you're bad you go to Heaven as an angel, while if you're bad but reform you become a child

I can't decide which is more or less appealing, the sloppiness of this movie or the relative slickness of Ski Party.  Both movies come across as misogynist, especially towards poor Deborah Walley, who in this one is repeatedly dragged to and from a buzz saw while tied to a log and wearing a skimpy nightie.  It's not funny and is at best irritating, since no one bothers to untie her for several minutes.  (At least Puss 'n' Boots rescued Sugar Kane when they had the chance, and they didn't even like her.)  Deborah is sort of paired up with Tommy, but they're much more fun, separately and together, in It's a Bikini World.  I guess if you're an AIP Beach Party completist, you may as well watch this, at least to see how much damage adding horror (rather than just cameos by horror stars) to the mix and taking out Frankie and Annette can do.  Not that F & A are any guarantee of entertainment, but I'll get to Fireball 500 tomorrow....

The surviving Beach Party crowd include Frank Alesia, Patti Chandler, Ed Garner, Luree Nicholson Holmes, Mary Hughes, and Salli Sachse, as well as relative newcomers Christopher Riordan and Sue Hamilton Williams.  They're given very little to do, other than dance by the pool that the D but S mansion has.  Besides Von Zipper, all the Ratz & Mice return:  Brutsche, Fife, Harvey, Macchia, Nelson, Romano, and Ross.  The part of the gardener was the last role for silent star Francis X. Bushman.  Benny Rubin, the forgettable Buster Keaton substitute, would play a waiter in The Shaggy D.A.

Sergeant Deadhead

Sergeant Deadhead
August 18, 1965
AIP
Comedy, Musical, Sci-Fi
VHS
B

The same day that you could first see Annette singing about her ambition to be a monkey's aunt, you could watch Frankie "being shot up with a monkey."  (In each case, it's actually a chimp.)  Outdoing his double role in Bikini Beach, Frankie plays the title character, who undergoes a personality change while up in space (with the "monkey"), but he also plays Sgt. Donovan, a patriotic lookalike.  Much of the usual AIP crowd is around (see below), but we also get officers played by Fred Clark, Reginald Gardiner, Gale Gordon, Cesar Romero, and best of all Eve Arden, who has perfect comic delivery and even gets to sing a very Ardenic song, "You Should've Seen the One That Got Away."  She's named Lt. Kinsey, and the movie has a lot of tasteless but amusing sex humor, much of it involving the Frankies and Deborah Walley (as Lucy) at her sexiest.  The movie succeeds at some of what John Goldfarb attempted, including political satire.  Not that this is sophisticated wit-- after all it's still AIP-- but it is very funny.  After I don't know how many viewings (although none in recent years), I still giggle helplessly whenever I listen to Pat Buttram as the irritable, Southern-accented President.  ("If I had my spurs on, I'd kick you in the shins!  I'll sic the dogs on ya!")  I'd go with a B+, like Pajama Party (also penned by Louis M. Heyward), but the first 15 or 20 minutes are a bit slow (Buster Keaton, in his last AIP appearance, is given some unfunny slapstick), and, alas, there's no title song.  On the other hand, I love the sheer goofiness of a military band that can only play "Jingle Bells."

John Ashley is cast against type as a nerd with sinus trouble, while Jody McCrea (who used to be known as Deadhead) is nowhere in sight.  Other beach folk who've joined up include Ray Atkinson, Bruce Baker, Patti Chandler,  Jo Collins, Sue Hamilton, Luree Nicholson Holmes, Mary Hughes, Janice Levinson, Stephanie Nader, and Salli Sachse.  This time Mike Nader is teamed up for comedic purposes with Norman Grabowski, as air policemen.

The recasting of the Ratz and Mice is less obvious: John Macchia and Andy Romano as Marine MPs, Alberta Nelson as a WAF, but also Jerry Brutsche as the newspaper vendor and Bob Harvey as the bellhop.  (Both Jeromey and Robert find Lucy "Va-va-va-voom!)  As for Harvey Lembeck, he's still inept and menacing, as the man who breaks out of the guardhouse using exploding fountain pens.

Bobbi Shaw is now American and named Gilda.  Donna Loren is another WAF and gets a torchy solo at the wedding reception.  Dwayne Hickman has a brief appearance but gets a special thank-you in the end credits. Romo Vincent, the tuba player, would be Jack Happy in The Swinger.  Newsman Ed Reimers plays himself here but would be an announcer in The Barefoot Executive, which, yes, also features a chimp.

How to Stuff a Wild Bikini

How to Stuff a Wild Bikini
July 14, 1965
AIP
Comedy, Musical, Fantasy
DVD
B-

While Frankie was trying to break into the mainstream with I'll Take Sweden, the Beach Party series soldiered on.  And so Frankie is again reduced to a cameo, if a bigger one than in Pajama Party.  Unfortunately, Dwayne Hickman (as "Rick") isn't as natural a replacement as Tommy Kirk was, and Annette being in the second trimester of her pregnancy didn't help matters.  It is fun to read a subtext into the movie, that Frankie knocked Dee Dee up before joining the Navy, and no one has noticed yet.  That makes about as much sense as what we see on the surface, that she decides to lose her virginity to Rick when she finds out that Frankie has a native girl (Irene Tsu) he's "making love with," as the (nameless) girl puts it.  In fact, both Rick and the native girl anticipate Stephen Stills by five years when they suggest "If you can't be with the boy/girl you love, love the one you're with."  Although Frankie returns in the end for a nice reunion with Dee Dee, it's kind of sad that the closest they get to a duet is a split-screen song they share with their new sweeties.  (And when Dwayne and Annette walk along the process-screen beach, it looks faker than ever.  You can see Dee Dee walking in place before Rick shows up!)

John Ashley is back as Johnny, but even with a guitar, he's not given much to do.  For a moment, it seems like Jody McCrea is going to repeat his Beach Blanket Bingo role of falling for a mythical creature (this time Beverly Adams as the conjured-up Cassandra, the stuffing of the title), but she instead clicks with Von Zipper.  And the Kingsmen, of "Louie Louie" infamy, continue the trend of making me miss Dick Dale and the Del-tones, with what must be one of the worst drummers of the '60s.

Still, if you're going to watch this movie, it's likely going to be for the music, because nearly everyone sings.  In Bingo, Von Zipper and his Rat Pack sang "Follow Your Leader," and here they get two songs: a revamped version of "Follow Your Leader" (when adman Mickey Rooney remakes Von Zipper into Brian Donlevy's image, don't ask) and "The Boy Next Door."  (Jerry Brutsche, Allen Fife, Bob Harvey, John Macchia, Alberta Nelson, Myrna Ross, and as always Andy "J.D." Romano are all back.)  The admen sing "Madison Avenue," one of the weak attempts at cutting satire.  (At least we're spared the psychiatrist singing.)  The beach girls sing "How About Us" and back up Annette on "The Perfect Boy" (the one that the Medveds found outrageous for lines about Euripides and Hercules, as if that's the strangest thing Guy Hemric has come up with).  The boys on the beach sing another of those AIP Songs Inspired by Unrelated Dialogue, this time "Healthy Girl."  And the whole beach crowd sings not only "After the Party," but the title tune.  (Not during the opening credits though.  That's when we get to see Art Clokey animation!)

OK, you might be watching for that animation.  Or you can watch the movie for some more weird subtext, like the moment when Mickey Rooney flicks a girl's breast on the way to chucking her under her chin.  (It's not even one of the tall girls!)  Or you can spot the three "gay" jokes: the bookworm who says he "thertainly" has not noticed Cassandra, the tiger "who only likes boys" (why didn't they just say it was man-eating? or would that be worse?), and a man calling his offscreen brother a sissy and making a Mr.-Roper-like limp wrist.  (Bingo did it better, with Paul Lynde telling Von Zipper to save him the next dance, and Von Zipper replying, "OK, but I lead.")

This is the last official movie in the series, although there are several borderline entries still to come, including the one promoted in the closing credits here, Sgt. Deadhead.  With Frankie trying to move on, and Annette starting a family, there would be no more of them as a beach couple, until the sort of sequel, Back to the Beach (1987).

The returning Beach Party crowd includes Ray Atkinson, Patti Chandler, Ron Dayton, Mickey Dora, Johnny Fain, Luree Nicholson Holmes, Mary Hughes, Mike Nader (not as big a role as in Bingo, but he does get to neck with two girls simultaneously), Stephanie Nader, Salli Sachse, and Ned Wynn.  Newcomers who would continue to or at least near the bitter end are Bruce Baker, Jo Collins, Janice Levinson, Rosemary Williams (English girl), Sue Williams (as 4'11" "Peanut," the girl Rooney tweaks), and Christopher Riordan, but Riordan was in I'll Take Sweden.  And Marianne Gordon, who uses her real Georgian accent as Chickie, would turn up as Mrs. Whitney in Little Darlings.  Composer Hemric, who usually is part of the BP crowd, here plays an adman.  Although Meredith MacRae is long gone from the studio, her mother Sheila again plays a secretary.

Buster Keaton this time is Polynesian, as "Bwana Chickie Baby," although he does talk about "firewater" and then remark, "And I ain't even an Indian."  Bobbi Shaw, as always his assistant, this time plays Khola Koku (a pun on Coca-Cola?) and has been given a dark wig and a sarong, but she still sounds Swedish with her "Yah, Yah."  In Bikini Beach, Asher's wife, Elizabeth Montgomery, voiced Lady Bug, while here she has a nonspeaking cameo at the end, as Bwana's daughter the witches' witch, ha ha.

Len Lesser plays South Dakota Slim's meaner brother, North Dakota Pete.  (Presumably, if the series had continued long enough, there would've been Michigan Mike or whatever, as the parody of Minnesota Fats got more and more strained.)  Lesser would have a small role in Fireball 500.

Sig Frohlich, who managed to be both a winged monkey in The Wizard of Oz and a callboy in Easter Parade, here plays an adman.  Shoeshine girl Victoria Carrol would appear in Elvis's Spinout, while Michele Carey, who plays "Michele," would have a much larger role as "Bernice" in Elvis's Live a Little, Love a Little.

Maybe they should've given Asher a rest and had Art Clokey direct the whole thing.

Beach Blanket Bingo

Beach Blanket Bingo
April 14, 1965
AIP
Comedy, Musical, Fantasy
DVD
B-

This is a lot of people's favorite Beach Party movie and it's easy to see why.   The script is again by director William Asher and Leo Townsend, so the formula was fully worked out but not yet stale.  The guest stars are recognizable, especially in retrospect Linda Evans as Sugar Kane.  (Yes, the same spelling as Marilyn's character in Some Like It Hot.)  Frankie & Dee Dee get another nice duet, this one more uptempo and in a round.  (Annette's hair by the way finally looks its natural black, no visible red highlights.)  The title song is the catchiest in the series, and the first half of the movie is pretty solid.  The Bonehead (McCrea, no longer Deadhead, but close enough) & mermaid (Marta Kristen) romance is actually sweet and funny.  And, yes, my fave Mike Nader, now named Butch, gets a bunch of lines (including saying the word "groovy" at least three times, as in "Let's dig this groovy chick"), some stuntwork, and a bit of a romance himself.  (With either Patti Chandler as Patti or newbie Donna Michelle as the latest Animal, I think the latter.  Patti Chandler seems to be one of the end-credits dancers.)  Don Rickles, now Big Drop, gets a seemingly improvised scene where he insults Frankie and friends like he's in Vegas, while Paul Lynde goes through the entire movie powered by deserved snark.  (His sidekick is Earl Wilson as himself, not having aged much in the eighteen years since Copacabana.)

All that said, I find the movie in the middle range of the series, about equivalent to the first entry.  Part of the problem is that Donna Loren gets only one song, while Linda Evans gets two.  (And Linda's are dubbed!)  More seriously, the movie has two plot threads that just don't work.  One is the kidnapping of Sugar by Von Zipper and his Rat Pack, which leads to her rekidnapping by South Dakota Slim, again played by Timothy Carey.  The other is the Bonnie & Steve jealousy subplot.  The two skydiving instructors who work for Big Drop are played by then spouses Deborah Walley and John Ashley.  Now, I don't have a problem with Ashley playing someone outside the Beach Party crowd (especially since it means an expanded role for Mike Nader), and I find Walley a welcome addition to the AIP family.  They have good chemistry together, as do she and Frankie.  But this is my least favorite of her AIP roles because Bonnie not only tries to make Steve jealous with Frankie, she rips her blouse and tries to convince everyone that Frankie attacked her!  The only good thing to come out of this plotline is Annette's line "Don't you 'I love you' me!"

Returning members of the Beach Party crowd are Frank Alesia, Duane Ament, Ray Atkinson, Linda Benson,  Linda Opie Bent, Pam Colbert, Ronnie Dayton, Mickey Dora, Johnny Fain, Ed Garner, Guy Hemric, Luree Holmes, Mary Hughes, Darlene Lucht, Laura Nicholson, Salli Sachse, and Ned Wynn.  There's also newcomer Stephanie Nader, but I don't know if she's related to Mike.

Dark-haired, frowning Myrna Ross replaces auburn-haired, smiling Linda Rogers in the Rat Pack, and Von Zipper refers to her and Alberta as Puss 'n' Boots.  (Alberta is Puss, I guess because she has seniority.)  Jerry Brutsche (still Jeromey, and continuing the Duck Soup sidecar rip-off), Allen Fife, Bob Harvey, John Macchia, and of course Andy "J.D." Romano (still reading the newspaper to Von Zipper) are all back.  Buster Keaton is now playing "Buster" and dressing like he did in the silent days, while Bobbi Shaw, as "Bobbi," is still Swedish and spends the entire movie in the gold & mink bikini she bought at Aunt Wendy's dress shop.

The Hondells would do some other teen flicks I own, but they're not very memorable here or elsewhere.  Jackie Ward, who dubs Sugar's singing voice, would also sing in Charlotte's Web.  Paul Lynde would rock the house in that movie, as Templeton the rat, and in the meantime he would get a TV gig as Uncle Arthur on Asher's Bewitched.

"Into groups of two"?  Math isn't their strong point.

Pajama Party

Pajama Party

November 11, 1964
AIP
Comedy, Musical, Sci-Fi
VHS
B+

The first question is, is this a Beach Party movie?  The answer is yes and no.  On the yes side:

• It's from AIP.
• It shares much of its cast with performers who are in unquestionable BP movies.
• One of the portraits from Bikini Beach (I think of H. H. Honeywagon II) is on the wall.
• One of the guest stars, Elsa Lanchester, is a horror veteran (the Bride of Frankenstein herself).

But then consider this:

• Some of the recognizable cast who are named are not playing the characters they usually do-- notably Annette as "Connie," Jody McCrea as "Big Lunk," and Donna Loren as "Vikki."
• The relationships are not what they usually are, with Connie dating Big Lunk, who used to date Vikki.
• And what of Frankie?  Well, he's playing a Martian named Socum.  Wait, it gets weirder.
• Since Big Lunk cares about volleyball more than romance, Connie falls for Gogo/George, who's played by Annette's Disney pal Tommy Kirk.  He's a Martian, too.
• Oh, and there's no John Ashley.

Most importantly, the movie has a very different feel from its three predecessors.  This is not just due to the introduction of the sci-fi element but also to greater naughtiness than usual.  Not only do we hear a toilet flush, but when a motorcycle crashes, cartoony objects fly by, including a toilet seat!  And instead of Candy's relatively wholesome shimmying, we've got the slow undulations of a new character Jilda (who wears fringe on her bathing suit bottom, while Candy was formerly fringed all over).  When Jilda dances, flowers wilt, candles melt, punch bubbles, marshmallows burst into flame, volcanoes explode, and Dr. Pepper bottles lose their caps.  (I'm sure Donna Loren's sponsors were thrilled.)  You might think that Frank Tashlin had taken over, but actually the director is Don Weis, who would be back for the even more not-in-the-official-series The Ghost in the Invisible Bikini, while writer Louis M. Heyward would do the equally offbeat Sergeant Dead Head.

The other thing about this movie is, well, it's crazy.  Not just because there are Martians-- Don Rickles plays one, too, with the sarcasm more natural to him than his Jack Fanny/ Big Drag wimps-- but because, well, it makes no sense and lots of random things happen in it.

• Socum (which is pronounced "Sucum," making it "mucus" backwards) and Big Bang (Rickles) send Gogo to Earth because he's too stupid to be threatening.
• So the first thing Gogo does when he meets an Earthling, Aunt Wendy (Lanchester), is tell her he's a Martian.  (Shades of Chicolini blithely announcing he's a spy in Fredonia.)
• She, and later Connie, have to be told this repeatedly though, because they're skeptical and/or poor listeners.
• Gogo's "raygun" looks more like a wand but is able to freeze/stun people, yet when it's time to confront the bad guys (not the Martians, there are three sets of bad guys), he leaves it behind and instead uses a sword, which gets stuck in the floor.
• He has a transporting device that conveniently attaches to a freestanding wardrobe (ironically not unlike the one Mork slept in before moving up to the attic), so when things need to disappear, he closes the door and presto!
• One of the Earth greats Gogo has studied is Frankie Avalon.
• When Gogo first arrives he's dressed as a movie usher, yet later he wears Big Lunk's clothes "from last year" (ascot and everything, perfect fit).  
• He borrows Big Lunk's "goofy broad-billed red baseball cap," which leads to farce and makeouts for him, Big Lunk, and Eric Von Zipper.
• Oh yeah, the Ratz & Mice are back (I just had to narrow down my tags, so I couldn't tag Lembeck this time), and they resent this beach crowd as much as Frankie's bunch, for putting footprints all over the beach, "except where they've been sitting."  Late in the movie, they pass as "typical cleancut American youts" (influencing My Cousin Vinny?), and go to a pajama party in red p.j.s.
• A more definite Duck Soup reference, Von Zipper, instead of having his own "sickle," now rides in a sidecar, which of course gets left behind.
• The other set of bad guys (besides the Martians and the Rat Pack) are made up of Jesse "Maytag" White, his idiotic sidekick Ben Lessy, Buster Keaton as a cowardly "Red Indian" who says "cowabunga" a lot (sort of an in-joke, for anyone who remembered Howdy Doody, which in '64 would've been a lot of people, especially the target audience of Baby Boomers), and what I still remember the 1964 or '65 Esquire article (which I read in college more than 20 years later) described as "a bosomy blonde Swedish girl who doesn't speak any English."  She's played by Bobbi Shaw, who would become such a fixture in the second half of the series that she would write a fan letter to MAD Magazine when they satirized the films.  
• White, as J. Sinister Hulk, is supposed to be the king of the conmen, and he's trying to steal from Aunt Wendy by the following schemes:
• Getting Helga to seduce Wendy's nephew Big Lunk into telling her where his aunt hides her money;
• Throwing a pajama party with Wendy as chaperone, to get everyone out of her house.
• Wendy owns a very expensive dress shop for teens but is losing $2500/month.  (Too expensive? high overhead?  After all, does it really need a volcano?)  She keeps her money in a wall safe with a very elaborate code.
• The dress shop is run by Dorothy Lamour, who sings as her models, including Toni "Oh, Mickey" Basil and Teri Hope (later Garr), twist, frug, swim, etc.  Her song is "Where Did I Go Wrong?", another of those AIP songs inspired by dialogue.
• Annette serenades a winking stuffed animal.
• After the Rat Pack ends up in the pool and then Wendy throws a potted plant at Von Zipper's head (no "the Finger" this time), Gogo senses that Helga wants to tell him something through mental telepathy, i.e. Sinister's sinister scheme.
• Did I mention that Gogo chooses Connie's love over the conquest of the Earth?
• Sinister, Lessy, and Chief Rotten Eagle (but not Helga, who's reformed through love of Big Lunk) get teleported to Mars, much to Big Bang's annoyance.
• All the Mars scenes are shot with a red filter.
• Frankie's face isn't shown till the end, when he wonders where he went wrong.
• He and Rickles are "special guest stars" who would soon be in Beach Blanket Bingo, which would be relatively sane.  Oh, except for the mermaid falling in love with Deadhead.
• Uncredited is Dorothy Kilgallen, the What's My Line panelist who would die mysteriously a year later.  She was the mother of Kerry Kollmar, the little boy who shows up everywhere (even in the dress shop) to protest all the "mush."  Dorothy (playing "Dorothy") has a brief ride on a motorcycle.

Luree Nicholson Holmes is featured prominently this time, as the perfume girl, and her three-year-old daughter Joi is the "Topless Baby Model."  If that isn't enough nepotism, James H. Nicholson's new wife Susan Hart plays the sultry Jilda.

Members of the Beach Party crowd include Frank Alesia, Roger Bacon, Linda Benson, Patti Chandler, Ronnie Dayton, Johnny Fain, Ed Garner, Guy Hemric, Mary Hughes, Mike Nader (not given much to do this time), Laura Nicholson, Linda Opie, Salli Sachse, and Ned Wynn.  And there are a few new "teens" on the beach: Ray Atkinson; Carey Foster, who'd appear in Winter A-Go-Go; and Ronnie Rondell, Jr., who was Dannie/Donnie Kettle in a few of the Ma and Pa movies.  (He was 27 at this point.)

This time, besides Von Zipper of course, some of the Ratz & Mice are addressed by name, mostly their real-life names: Bob Harvey, the slightly craggy-faced one, here called Robert; Jerry Brutsche (the young blond who has Von Zipper's sidecar), referred to as both Jeromey and Jerome; and Alberta (Nelson of course).  Allen Fife, Linda Rogers, and as always Andy Romano (still called J.D.) also return.

Renie Riano, here a maid, dances with Candy Johnson a bit, though not in the credits as they did in Bikini Beach.  (The credit-dancers are Hart, Keaton, and Lanchester, to an instrumental version of Donna/Vikki's "Among the Young.")  This was Candy's last appearance, in any movie, AIP or not, although she'd live till 2012.  The Nooney Rickett 4, who must be one of the more obscure bands in these movies, somehow manage to show up in both Beach Ball and  Winter A-Go-Go.

"This is a pajama party?"

Bikini Beach

Bikini Beach
July 22, 1964
AIP
Comedy, Musical
DVD
B

This is one of the most enjoyable of the Beach Party movies, even if there's a bit too much drag-racing, and the older couple of Martha Hyer as pro-teen teacher Miss Clements and Keenan Wynn as publisher (of The Bikini Bugle) H. H. Honeywagon III don't have plausible chemistry in the way that Cummings and Malone did in Beach Party.  (A "honeywagon" is a mobile toilet unit near a film set.)  The music is generally better, not just Little Stevie Wonder making a brief return, but also the Pyramids, probably the only bald interracial band of the mid-'60s.  Donna Loren sings "Love's a Secret Weapon," which is the first of several songs in the series that seem inspired by dialogue in previous movies.  Frankie and Annette get their first romantic duet, "Because You're You," and it's very sweet.  Most memorably, Frankie, in his role as the British pop star the Potato Bug, a weak but likable Beatles parody, sings a couple songs, with "yeah, yeahs" and McCartneyesque oos.

Instead of Frankie trying to make Dee Dee jealous, Annette casually makes him jealous with, yes, the Potato Bug.  Partly for this reason, and partly for her relatively revealing and polka-dotted wardrobe, she seems to be having more fun than in previous entries, where she too often sat sulking at a table at the teen hangout as Frankie frolicked with other girls.  This time the hangout is Big Drag's Pit Stop, with Don Rickles as Big Drag.  ("I used to be in the fanny business, but that's all behind me now.")  He paints Jackson-Pollock-ish modern art, which catches the eye of an art dealer, played by this film's horror vet guest star, Boris Karloff.

This movie marks the return of Von Zipper and his gang, and we see that a year later (this is set in the summer, while Muscle BP was set over Easter vacation), he's still affected by the "Himalayan suspenders trick," able to accidentally give himself "the finger."  Frankie remarks that Von Zipper is stoned again, I think in the earlier sense of "drunk" or maybe "unconscious," although you can't be sure with these movies.  There are also cops (played by actors who've done a ton of TV although probably not any other of my movies) who are suspected of drinking on the job.  And there's the sound of a toilet flushing.  (Pajama Party would outdo this though.)  Also, there seem to be more shots than usual of the California coast, as well as a not too convincing small town that the chase scene goes through.  (One street is full of New-York-like brownstones.)

With a talking bird, a surfing "chimp" (Janos Prohaska in a costume, as he'd appear on Gilligan's Island, among other TV shows), and a "teenage werewolf monster," the movie verges on sci-fi/fantasy, but doesn't clearly cross over as later entries would.  Asher again cowrote the script with Robert Dillon, so I'm guessing that it's the addition of Leo Townsend that made the overall difference.  (Asher and Townsend would team up for Beach Blanket Bingo, without Dillon.)

Frank Alesia, Patti Chandler (the girl who keeps walking by the camera in a bikini and heels), and Keenan's 23-year-old son Ned join the Beach Party crowd, while John Ashley, Jody McCrea, Linda Benson, Roger Christian, Mickey Dora, Johnny Fain, Ed Garner, Guy Hemric, Luree Holmes, Mary Hughes, Duane King, Darlene Lucht, Meredith MacRae (as the new "Animal," and getting to utter one of the first onscreen uses of the word "groovy" since the '30s), Linda Opie, Salli Sachse, Gary Usher, Dolores Wells (still "Sniffles"), and of course Mike Nader return.  (Here, Nader really establishes his role as the guy who has mishaps happen to him.  You just know that he'll be the one whose chair is yanked right out from under him when he's smooching a girl, and it's of course his surfboard that Clyde borrows.)

Allen Fife joins the Rat Pack of Andy "J.D." Romano (who we learn has to read to Von Zipper, who never went past the 3rd grade), Jerry Brutsche, Bob Harvey, John Macchia, Alberta Nelson, and Linda Rogers.  Ronnie Dayton, who plays the Potato in the shots he shares with Frankie, would become one the Beach Party crowd in subsequent films (and had done stunts in the earlier two entries).

Old Lady #2 Renie Riano would play a maid in Pajama Party.  Timothy Carey would reprise his role as South Dakota Slim in Beach Blanket Bingo.  Meredith MacRae's mother Sheila plays a secretary here, as she would in How to Stuff a Wild Bikini.  Elizabeth Montgomery, whose Bewitched would premiere that fall, was Asher's new wife and she does the French-accented voice for the Lady Bug.  She would have a cameo in a later entry.

Muscle Beach Party

Muscle Beach Party
March 25, 1964
AIP
Comedy, Musical
DVD
C+

Released the same day as Merlin Jones, this shows Annette's hair looking closer to its usual black, although still with strong red highlights, in some scenes more than others.  It also shows Annette/Dee Dee surfing with Frankie, which is a rarity in these films.  (Annette hated the beach in real life.)  And we see Frankie smoking again, including right after he surfed and as he's singing.  (The Surgeon General's Report on Smoking and Health came out in January of that year, and we will see a gradual decrease in onscreen smoking, but not yet.)

The songs, including the very weak retread of "Don't Stop Now," "Running Wild," as a tribute to Cappy's Place, are for the most part less memorable in this entry, except for "Happy Street" sung twice by 13-year-old Little Stevie Wonder, who'd had a hit with "Fingertips" but was not yet the star he'd become.  If I could use more tags on these posts, I'd tag him, since he'd appear in the follow-up, Bikini Beach.  And I'd tag Morey Amsterdam, who's back as Cappy, although given less to do this time.  Instead of Vincent Price as Big Daddy, we've got Peter Lorre as Mr. Strangdour, one of his last roles, although the credits promise him in Bikini Beach.

Instead of Bob Cummings and Dorothy Malone, we've got Luciana Paluzzi as an Italian contessa and Buddy Hackett seriously miscast as her sarcastic business manager S. Z.  I can't help wondering if the movie might've been improved if Hackett had swapped roles with Don Rickles, who plays wimpy Jack Fanny, manager of a group of musclemen.  This is a parody of Vic Tanny, although everyone calls the character by his full name, so that they can say, "Fanny."  (This naughtiness seems mild compared to the scene where one of the beach guys says either "Let's bug out of here" or "Let's get the f*** out of here.")

This time William Asher not only directed the movie, but he cowrote the script with Robert Dillon, and they'd team up for Bikini Beach as well.  There's some de ja vu here, with jokes being recycled (some not for the last time, as with "You can say that again"), not to mention redone situations like a fight scene at the local teen hangout, but the movie is most notable for what's missing: Eric Von Zipper.  The musclemen just aren't as interesting as the "carbon monoxide commandos."  I'm still using the "Ratz & Mice" tag though, because Alberta Nelson appears as a muscle girl and Bob Harvey (the slightly craggy-faced guy) as a sound-man.

Jody McCrea is still Deadhead, but John Ashley is now known as Johnny instead of Ken.  Candy returns as Candy, now a "secret weapon" who knocks men off their feet and/or surfboards with her fringed go-going.  Donna Loren is introduced as Donna, helping to make the last third of the movie better than the first hour.

Other new additions to the Beach Party crowd include Linda Benson, Guy Hemric, Mary Hughes, Duane King, Darlene Lucht, Linda Opie, and Salli Sachse.  Duane Ament, Roger Christian, Mickey Dora, John Fain, Ed Garner, Ashlyn Martin, Valora Noland (changing from "Rhonda" to "Animal"), Luree Nicholson (now using her married name of Holmes), Lorrie Summers, Gary Usher, Delores Wells (with her character's name changed from "Sue" to "Sniffles"!), and my fave Mike Nader (he this time with a few slangy lines) return.

Future Grizzly Adams star Dan Haggerty plays muscleman Biff, and he'd show up in Girl Happy the next year.

Beach Party

Beach Party
August 7, 1963
American International Pictures
Comedy, Musical
DVD
B-

Not bad start to the most famous teen-movie series since Andy Hardy, this is meant to be taken a bit less seriously than the Gidget movies, if not so absurd as the later BP movies would get.  This one has Frankie talking to the audience, Annette (as auburn-haired Dolores) singing advice to herself, and a not fully worked out scheme of love and jealousy.  Is Dolores really just after Professor Bob Cummings to make Frankie jealous, or is she genuinely attracted?  Why does Frankie find it hard to tell Dee Dee (and no, I don't know why it's not Do Do with that spelling) he loves her but he can absent-mindedly say it to Ava (Eva Six)?  Why don't we get any duets with Frankie & Dee Dee, other than the title tune?  And who's the girl with the sexy eyes that has all that chemistry with Frankie in his "Don't Stop Now" number?

Meanwhile, Cummings and the witty Dorothy Malone play an appealing middle-aged couple.  Morey Amsterdam is the sort-of-beatnik running the local hangout, here called Big Daddy's, after the mysterious figure who's revealed to be Vincent Price, there to plug his AIP horror movies.  And of course there's Harvey Lembeck as a brainless Brando (a not so wild one), Eric Von Zipper.  Other than Andy Romano, who plays sidekick J.D., his motorcycle gang of Ratz & Mice are, in alphabetical order, Jerry Brutsche, Bob Harvey, John Macchia, Alberta Nelson (blonde Mouse), and Linda Rogers (auburn-haired Mouse).

John Ashley plays Ken here.  Jody McCrea, who plays Deadhead, is the son of actor Joel McCrea.  (Confusingly, Meredith MacRae is the daughter of Gordon and Sheila MacRae.  She's probably best known for the sitcom Petticoat Junction.)  Valora Noland, who plays Rhonda here (although I'm sure Annette calls her Wanda at first) would in Muscle Beach Party become the first of several actresses to play "Animal" in the series.  Candy Johnson is the fringe-wearing dancer Candy.  Dick Dale (of the Del Tones) plays Dick, and even has his name called out at the beginning of the fight scene (see below), so he can play bongo accompaniment.

Some of the rest of the "Beach Party crowd" in this movie includes musicians Roger Christian and Gary Usher, as well as, in alphabetical order, Duane Ament, Pam Colbert, Mickey Dora, John Fain, Ed Garner, Ashlyn Martin, Laura and Luree Nicholson (yes, the daughters of AIP co-producer James H. Nicholson), Bobby Payne (who would go on to The Muppet Movie, as Robert Payne), Lorie Summers, and Delores Wells.    My personal favorite is Mike Nader, not so much for this movie as his later appearances, especially in Beach Blanket Bingo.  Here he's the tall, thin brunet in a gray sweater in the first Big Daddy's scene.  Brunette yoga girl Sharon Garrett would be a go-go girl in Speedway.

William Asher would go on to direct the rest of the basic series of five.  (I'll discuss the matter of what counts and doesn't, as we go along.)  This first entry not only builds on what the Gidget movies brought to the table, but introduces what would soon be its own traditions, including the big silly fight at the end (this time with a seemingly endless supply of cream pies).  Later entries would get more sci-fi/fantasy, while this one has a moment or two of surprising early '60s realism.  (What kind of cigarette are Frankie and his besties Ken and Deadhead passing back and forth?)  I didn't like the sort of rape joke-- Dee Dee is calling for help from Von Zipper, so Rhonda says, "It's just Dee Dee and that man"-- but otherwise the movie is pretty inoffensive.

"As for their sex life...."  Nonexistent?  Limited to horizontal necking?  We'll never know for sure.