How to Stuff a Wild Bikini

How to Stuff a Wild Bikini
July 14, 1965
AIP
Comedy, Musical, Fantasy
DVD
B-

While Frankie was trying to break into the mainstream with I'll Take Sweden, the Beach Party series soldiered on.  And so Frankie is again reduced to a cameo, if a bigger one than in Pajama Party.  Unfortunately, Dwayne Hickman (as "Rick") isn't as natural a replacement as Tommy Kirk was, and Annette being in the second trimester of her pregnancy didn't help matters.  It is fun to read a subtext into the movie, that Frankie knocked Dee Dee up before joining the Navy, and no one has noticed yet.  That makes about as much sense as what we see on the surface, that she decides to lose her virginity to Rick when she finds out that Frankie has a native girl (Irene Tsu) he's "making love with," as the (nameless) girl puts it.  In fact, both Rick and the native girl anticipate Stephen Stills by five years when they suggest "If you can't be with the boy/girl you love, love the one you're with."  Although Frankie returns in the end for a nice reunion with Dee Dee, it's kind of sad that the closest they get to a duet is a split-screen song they share with their new sweeties.  (And when Dwayne and Annette walk along the process-screen beach, it looks faker than ever.  You can see Dee Dee walking in place before Rick shows up!)

John Ashley is back as Johnny, but even with a guitar, he's not given much to do.  For a moment, it seems like Jody McCrea is going to repeat his Beach Blanket Bingo role of falling for a mythical creature (this time Beverly Adams as the conjured-up Cassandra, the stuffing of the title), but she instead clicks with Von Zipper.  And the Kingsmen, of "Louie Louie" infamy, continue the trend of making me miss Dick Dale and the Del-tones, with what must be one of the worst drummers of the '60s.

Still, if you're going to watch this movie, it's likely going to be for the music, because nearly everyone sings.  In Bingo, Von Zipper and his Rat Pack sang "Follow Your Leader," and here they get two songs: a revamped version of "Follow Your Leader" (when adman Mickey Rooney remakes Von Zipper into Brian Donlevy's image, don't ask) and "The Boy Next Door."  (Jerry Brutsche, Allen Fife, Bob Harvey, John Macchia, Alberta Nelson, Myrna Ross, and as always Andy "J.D." Romano are all back.)  The admen sing "Madison Avenue," one of the weak attempts at cutting satire.  (At least we're spared the psychiatrist singing.)  The beach girls sing "How About Us" and back up Annette on "The Perfect Boy" (the one that the Medveds found outrageous for lines about Euripides and Hercules, as if that's the strangest thing Guy Hemric has come up with).  The boys on the beach sing another of those AIP Songs Inspired by Unrelated Dialogue, this time "Healthy Girl."  And the whole beach crowd sings not only "After the Party," but the title tune.  (Not during the opening credits though.  That's when we get to see Art Clokey animation!)

OK, you might be watching for that animation.  Or you can watch the movie for some more weird subtext, like the moment when Mickey Rooney flicks a girl's breast on the way to chucking her under her chin.  (It's not even one of the tall girls!)  Or you can spot the three "gay" jokes: the bookworm who says he "thertainly" has not noticed Cassandra, the tiger "who only likes boys" (why didn't they just say it was man-eating? or would that be worse?), and a man calling his offscreen brother a sissy and making a Mr.-Roper-like limp wrist.  (Bingo did it better, with Paul Lynde telling Von Zipper to save him the next dance, and Von Zipper replying, "OK, but I lead.")

This is the last official movie in the series, although there are several borderline entries still to come, including the one promoted in the closing credits here, Sgt. Deadhead.  With Frankie trying to move on, and Annette starting a family, there would be no more of them as a beach couple, until the sort of sequel, Back to the Beach (1987).

The returning Beach Party crowd includes Ray Atkinson, Patti Chandler, Ron Dayton, Mickey Dora, Johnny Fain, Luree Nicholson Holmes, Mary Hughes, Mike Nader (not as big a role as in Bingo, but he does get to neck with two girls simultaneously), Stephanie Nader, Salli Sachse, and Ned Wynn.  Newcomers who would continue to or at least near the bitter end are Bruce Baker, Jo Collins, Janice Levinson, Rosemary Williams (English girl), Sue Williams (as 4'11" "Peanut," the girl Rooney tweaks), and Christopher Riordan, but Riordan was in I'll Take Sweden.  And Marianne Gordon, who uses her real Georgian accent as Chickie, would turn up as Mrs. Whitney in Little Darlings.  Composer Hemric, who usually is part of the BP crowd, here plays an adman.  Although Meredith MacRae is long gone from the studio, her mother Sheila again plays a secretary.

Buster Keaton this time is Polynesian, as "Bwana Chickie Baby," although he does talk about "firewater" and then remark, "And I ain't even an Indian."  Bobbi Shaw, as always his assistant, this time plays Khola Koku (a pun on Coca-Cola?) and has been given a dark wig and a sarong, but she still sounds Swedish with her "Yah, Yah."  In Bikini Beach, Asher's wife, Elizabeth Montgomery, voiced Lady Bug, while here she has a nonspeaking cameo at the end, as Bwana's daughter the witches' witch, ha ha.

Len Lesser plays South Dakota Slim's meaner brother, North Dakota Pete.  (Presumably, if the series had continued long enough, there would've been Michigan Mike or whatever, as the parody of Minnesota Fats got more and more strained.)  Lesser would have a small role in Fireball 500.

Sig Frohlich, who managed to be both a winged monkey in The Wizard of Oz and a callboy in Easter Parade, here plays an adman.  Shoeshine girl Victoria Carrol would appear in Elvis's Spinout, while Michele Carey, who plays "Michele," would have a much larger role as "Bernice" in Elvis's Live a Little, Love a Little.

Maybe they should've given Asher a rest and had Art Clokey direct the whole thing.

I'll Take Sweden

I'll Take Sweden
June 18, 1965
United Artists
Comedy, Musical, Romance
VHS
B-

If it's Tuesday, this must be Sweden.  Or maybe Big Bear.  In Hope & Weld's answer to Take Her, She's Mine, we have to take the mountains of California for the mountains of Sweden.  Somehow that seems appropriate in this movie that is on the surface much less topical than THSM, yet underneath shows the tensions of the growing generation gap.  Sandra Dee as a college student was interested in protest, but Weld (as Jojo) just cares about the Watusi and her unemployed musician boyfriend Kenny (Frankie Avalon).  Hope (as Bob Holcomb, a very Danza name) lies and schemes to separate the two of them when marriage is a possibility, but he later decides that a wholesome American boy like Kenny is a better bet than the "Scandinavian Svengali" who tries to seduce Jojo.  Although the movie is as L7 as Bob H., it does address the double standard, especially when Bob falls for a Swede of his own (Dina Merrill, not Swedish).  There are at least three lines that show that the worry is not only that Jojo will lose her virginity out of wedlock, but that she'll become an unwed mother.  The irony of this will be great when we get to Hope's How to Commit Marriage, but that will be four years later, in a decade of change too fast for mainstream movies like this to keep up with.

The movie is sometimes intentionally funny, if in a corny way.  ("I can't sleep at night."  "You should talk to my doctor.  He can't sleep either.")  There's a third-rate, secondhand Marx Brothers connection, since director Nat Perrin wrote The Big Store.  And Bob Fisher and Arthur (son of Groucho) Marx would also cowrite Hope's Cancel My Reservation.  (Seven years from this movie, and definitely showing weariness with changing times.)

I'll note that Frankie sings three songs in this one, but doesn't seem to be breaking completely free of his AIP image.  (Bob calls him "a poor Beatle.")  Frankie's work here did have an impact on our next movie, How to Stuff a Wild Bikini, but I'll get to that in its place.

John Qualen, who's Olaf here, was Berger in Casablanca.  This is the last of my movies with Bert Stevens (he died the previous December); here he's a bistro patron, and he was in Citizen Kane among many others.  Hotel guest Jack Shea was a police officer in Palm Springs Weekend.  Rosemarie Frankland, here Marti, was a showgirl in A Hard Day's Night.  Christopher Riordan, a student here, would join the AIP Beach Party crowd shortly.  Beverly Hills (yes, you read that right) plays Electra here and would be Mary Ann in Speedway.

Girl Happy

Girl Happy
April 14, 1965
MGM
Musical, Comedy
VHS
C+

Almost a decade into his film career, Elvis was cranking these out at a rate of about three per year, although this is the oldest one I own.  (I used to have Kissing Cousins, 1964.)  Some are forgettable, some are moderately entertaining, and some are screamingly hilarious.  This is one of the moderately entertaining ones.  The songs are pretty good, although they do have some of the oddest titles, notably "Fort Lauderdale Chamber of Commerce."  (Confusingly, "Do the Clam" is in this rather than Clambake.)  Despite the movie's title, Elvis romances only two girls, Mary Ann Mobley (looking rather sexy for a Miss America of the time) and Shelley Fabares.  The latter is playing a 21-year-old and was 21 in real life as well but already an acting veteran (The Donna Reed Show in particular).  She would team up with Elvis again.  My favorite "girl," however, is 34-year-old Nita Talbot, who plays the stripper Sunny Daze.  Her professional costume looks like newspapers, but she later wears a dress that she loans to Elvis so he can break out of jail, after breaking in.  (Don't ask.)  I would've given the movie a B- if she were in it more, or if any of the rest of the supporting cast could've come close to her contributions.

Elvis plays a singer in this one and he's got a trio of comic-relief actors who lip-sync to the Jordanaires somewhat convincingly.  Jimmy Hawkins, who's Doc (the naive one), was Tommy Bailey at age 5 in It's a Wonderful Life, and he would be Larry in Spinout.  Joby Baker, Wilbur here, is probably best known as Stinky/Judge in the Gidget movies.  (Gary Crosby, Bing's son, is the third of "the three blind mice.")

Peter Brooks, who plays nerdy Brentwood Von Durgenfeld, was forgettable Clay (with the umbrella) in Gidget Goes to Rome.  Dan "Grizzly Adams" Haggerty was muscleman Biff in Muscle Beach Party and he's Charlie here.  (His next role would be in Easy Rider, which I've never seen.)  Norman Grabowski plays a jock college student here, as he does in the Merlin Jones movies.  Lyn Edgington was in Dear Brigitte.  Jackie Coogan (playing Sgt. Benson here), Jim Dawson, Milton Frome, Kent McCord, and Olan Soule were all recently in John Goldfarb.

Red West was in John Goldfarb and would be in Spinout the next year.  (He was a close friend of Elvis's.)  Gail Gilmore and Chris Noel would do Beach Ball.  Nancy Czar, "Blonde on Beach," would be Gloria "Jonesy" Jones in Winter A-Go-Go, while Beverly Adams, here "Girl #2," would be Jo Ann Wallace in WaGG, but more importantly be sort of the title character in How to Stuff a Wild Bikini.   Tommy Farrell, Louis here, would be a reporter in Boy, Did I Get a Wrong Number!  Hank Jones would be in The One and Only...Family Band.

Beach Blanket Bingo

Beach Blanket Bingo
April 14, 1965
AIP
Comedy, Musical, Fantasy
DVD
B-

This is a lot of people's favorite Beach Party movie and it's easy to see why.   The script is again by director William Asher and Leo Townsend, so the formula was fully worked out but not yet stale.  The guest stars are recognizable, especially in retrospect Linda Evans as Sugar Kane.  (Yes, the same spelling as Marilyn's character in Some Like It Hot.)  Frankie & Dee Dee get another nice duet, this one more uptempo and in a round.  (Annette's hair by the way finally looks its natural black, no visible red highlights.)  The title song is the catchiest in the series, and the first half of the movie is pretty solid.  The Bonehead (McCrea, no longer Deadhead, but close enough) & mermaid (Marta Kristen) romance is actually sweet and funny.  And, yes, my fave Mike Nader, now named Butch, gets a bunch of lines (including saying the word "groovy" at least three times, as in "Let's dig this groovy chick"), some stuntwork, and a bit of a romance himself.  (With either Patti Chandler as Patti or newbie Donna Michelle as the latest Animal, I think the latter.  Patti Chandler seems to be one of the end-credits dancers.)  Don Rickles, now Big Drop, gets a seemingly improvised scene where he insults Frankie and friends like he's in Vegas, while Paul Lynde goes through the entire movie powered by deserved snark.  (His sidekick is Earl Wilson as himself, not having aged much in the eighteen years since Copacabana.)

All that said, I find the movie in the middle range of the series, about equivalent to the first entry.  Part of the problem is that Donna Loren gets only one song, while Linda Evans gets two.  (And Linda's are dubbed!)  More seriously, the movie has two plot threads that just don't work.  One is the kidnapping of Sugar by Von Zipper and his Rat Pack, which leads to her rekidnapping by South Dakota Slim, again played by Timothy Carey.  The other is the Bonnie & Steve jealousy subplot.  The two skydiving instructors who work for Big Drop are played by then spouses Deborah Walley and John Ashley.  Now, I don't have a problem with Ashley playing someone outside the Beach Party crowd (especially since it means an expanded role for Mike Nader), and I find Walley a welcome addition to the AIP family.  They have good chemistry together, as do she and Frankie.  But this is my least favorite of her AIP roles because Bonnie not only tries to make Steve jealous with Frankie, she rips her blouse and tries to convince everyone that Frankie attacked her!  The only good thing to come out of this plotline is Annette's line "Don't you 'I love you' me!"

Returning members of the Beach Party crowd are Frank Alesia, Duane Ament, Ray Atkinson, Linda Benson,  Linda Opie Bent, Pam Colbert, Ronnie Dayton, Mickey Dora, Johnny Fain, Ed Garner, Guy Hemric, Luree Holmes, Mary Hughes, Darlene Lucht, Laura Nicholson, Salli Sachse, and Ned Wynn.  There's also newcomer Stephanie Nader, but I don't know if she's related to Mike.

Dark-haired, frowning Myrna Ross replaces auburn-haired, smiling Linda Rogers in the Rat Pack, and Von Zipper refers to her and Alberta as Puss 'n' Boots.  (Alberta is Puss, I guess because she has seniority.)  Jerry Brutsche (still Jeromey, and continuing the Duck Soup sidecar rip-off), Allen Fife, Bob Harvey, John Macchia, and of course Andy "J.D." Romano (still reading the newspaper to Von Zipper) are all back.  Buster Keaton is now playing "Buster" and dressing like he did in the silent days, while Bobbi Shaw, as "Bobbi," is still Swedish and spends the entire movie in the gold & mink bikini she bought at Aunt Wendy's dress shop.

The Hondells would do some other teen flicks I own, but they're not very memorable here or elsewhere.  Jackie Ward, who dubs Sugar's singing voice, would also sing in Charlotte's Web.  Paul Lynde would rock the house in that movie, as Templeton the rat, and in the meantime he would get a TV gig as Uncle Arthur on Asher's Bewitched.

"Into groups of two"?  Math isn't their strong point.

John Goldfarb, Please Come Home!

John Goldfarb, Please Come Home!
March 24, 1965
Fox
Comedy
VHS
C-

While I can't recommend this movie, even as a so-bad-it's-goodie, I suppose some might want to see it to just to say they've seen it.  (Or they have seen it, and can't believe what they saw.)  Briefly, Shirley MacLaine (much much shriekier than in The Apartment, including on the title song*) plays a frigid journalist at Strife Magazine (hardy har) whose editor Charles Lane assigns her to write a story on a harem.  Meanwhile, the title character, played by Richard Crenna, is a sort of combination of pilots Douglas Corrigan and Francis Gary Powers, with the nickname "Wrong Way," and he accidentally lands in the Arabian country of Fawzia while trying to reach Russia.  The King of Fawzia, played by Peter Ustinov, starts a football team for his son, who's been kicked off the Notre Dame team for not being Irish.  (Wouldn't they have noticed right off?)  Oh, and there are various government officials who are trying to spin the situation.

That last aspect was what I liked best, particularly since it involves the sitcom vets Jim Backus as Miles Whitepaper, Fred Clark as Heinous Overreach, Richard Deacon as Charles Maginot, and Harry Morgan as Deems Sarajevo.  Morgan gets the most memorable lines, like the one about the Russians having a case of the cutes, and his reply to Dick "Please don't squeeze the Charmin" Wilson's announcement, "Either Fawz U beats Notre Dame or John Goldfarb goes to Moscow": "Is that an ultimatum or a musical comedy title?"  I'm not saying this stuff is Dr. Strangelove level satire, but it did make me chuckle.  And it's much more palatable than the shrew-taming we get of MacLaine's character, including the "ha ha, the king wants to rape her" subplot.

The script (based on his own book), by none other than William Peter Blatty, later of The Exorcist, is remarkably sexist and anti-Arab, even for its time.  This is not just 21st-century political correctness; contemporary critics hated the movie.  Notre Dame even sued over it!  I realize that I may've made you more interested in seeing the film, so I may as well go on to list some more of its unique cast.

The harem girls include Teri Garr (I don't know under what name); Gari Hardy, who would be "Dumb Blonde" in Speedway; Paula Lane, who was in Dear Brigitte, here playing Polly Benson; Irene Tsu, who was Miss Wu in Take Her, She's Mine and would shortly be a native girl in How to Stuff a Wild Bikini; and Jane Wald, of Take Her and Dear Brigitte.  "Specialty dancer" Nai Bonet would have a more prominent role as a king's belly-dancer in the softcore Fairy Tales (1978).  The football players include James Brolin (as a quarterback); Kent McCord (later of Adam-12), who would do Girl Happy; and Red West, who was in Palm Springs Weekend and would soon be in Girl Happy.

Billy Curtis, who was a Munchkin in The Wizard of Oz, is "Little Football Player."  Chick Collins, who was a fencer in Singin' in the Rain, plays a Bedouin here.  Fred Catania, who was Wheeler's bodyguard in The Girl Can't Help It and a used car salesman in Will Success Spoil Rock Hunter, has a minor role here.  Jim Shane, who was Dave in Palm Springs Weekend, is Chiang here.

Jackie Coogan (yes, Uncle Fester, here playing Father Ryan); Bedouin Jim Dawson; Milton Frome, here an Air Force general; and Olan Soule, who plays the second editor, would shortly do Girl Happy.  Telly Savalas (yes, Kojak) is Macmuid, the harem recruiter, and would be El Sleezo Tough in The Muppet Movie.  

Patrick Adiarte, who plays Prince Ammud, isn't in any of my of my other movies, but I have to note that he was both David in the Hawaiian episodes of The Brady Bunch and Ho-Jon on M*A*S*H.


*The theme pops up repeatedly in the movie, especially during the big football game at the end.  John Williams, yes, that John Williams, was the conductor.

Dear Brigitte

Dear Brigitte
January 8, 1965
Fox
Comedy
VHS
C+

Although this has the same director, screenwriter, and studio as Take Her, She's Mine, I think it's a weaker film.  I don't know how much of this can be blamed on the book it's based on, Erasmus with Freckles (1963), but the movie feels as if it was both immediately dated and too early.  Billy Mumy (now 10 but still passing for 8) plays Erasmus, who's a mathematical genius with a huge crush on Brigitte Bardot.  She shows up late in the film (not at all worried about stalkers, although they were a real life problem for her), and is as lovely as ever, but I always got the impression she was more of a '50s star, and of rather racy movies at that, and it seems odd that a boy as young as Erasmus would have a crush on her, as opposed to, say, Sandra Dee.

Speaking of Gidget, Cindy Carol again follows in Dee's footsteps, this time as Jimmy Stewart's teenage daughter.  Carol is just as whiny, and as poor an actress, as she was in Gidget Goes to Rome, and there's an odd moment when she calls her father a "square" because he's not obsessed with money like she is.  Part of the weirdness of this movie is that Stewart is playing a proto-hippie-- a poetry professor who lives on a houseboat, hates math and science, and is worried about the nuclear generator on campus, as well as about what "this campus will be like in five years"-- and it's not only strange casting, but it seems like it would have worked better in a '70s or '80s movie.

Oh, and there's also a gambling subplot, with the usually upright John Williams as the unscrupulous Peregrine Upjohn.  Glynis Johns, as Stewart's wife, is given a bit more depth than she got in Mary Poppins, while Ed Wynn again supplies whimsy, this time talking to the camera, "like in that movie Tom Jones."  (In case you were wondering why Frankie Avalon keeps doing it in the Beach Party movies.)  Fabian plays Cindy Carol's boyfriend, but, no, he doesn't sing.  (The idea of him crooning "Dear Brigitte" as a title song, a la all those James Darren "Gidget" songs, is not without appeal.)

The always versatilely accented Jack Kruschen plays the Austrian (I think) psychiatrist Dr. Volker.  Louise Lane, who plays the saleslady, was "Jazzy Dame" in Auntie Mame.  Harry Carter, who was "Man Departing Plane" in Take Her is a reporter here; James Brolin again plays a college student; Pitt Herbert, who was a police sergeant there, is the bank manager here; Gene O'Donnell, Frank there, is Police Lt. Rink here; and Charles Robinson, who was Stanley, is now George.  As in Pajama Party, Jesse White plays a crook, this time bookie Cliff Argyle.

Paula Lane and Jane Wald would shortly be in John Goldfarb, Please Come Home!  Lyn Edgington would soon do Girl Happy.  Richard Lane, who's the racetrack announcer here, would be the roller rink announcer in The Shaggy D.A.  (As far as I know, none of these Lanes are related.)

"Technology is a great threat!  Oo, nifty instant photo!"

Pajama Party

Pajama Party

November 11, 1964
AIP
Comedy, Musical, Sci-Fi
VHS
B+

The first question is, is this a Beach Party movie?  The answer is yes and no.  On the yes side:

• It's from AIP.
• It shares much of its cast with performers who are in unquestionable BP movies.
• One of the portraits from Bikini Beach (I think of H. H. Honeywagon II) is on the wall.
• One of the guest stars, Elsa Lanchester, is a horror veteran (the Bride of Frankenstein herself).

But then consider this:

• Some of the recognizable cast who are named are not playing the characters they usually do-- notably Annette as "Connie," Jody McCrea as "Big Lunk," and Donna Loren as "Vikki."
• The relationships are not what they usually are, with Connie dating Big Lunk, who used to date Vikki.
• And what of Frankie?  Well, he's playing a Martian named Socum.  Wait, it gets weirder.
• Since Big Lunk cares about volleyball more than romance, Connie falls for Gogo/George, who's played by Annette's Disney pal Tommy Kirk.  He's a Martian, too.
• Oh, and there's no John Ashley.

Most importantly, the movie has a very different feel from its three predecessors.  This is not just due to the introduction of the sci-fi element but also to greater naughtiness than usual.  Not only do we hear a toilet flush, but when a motorcycle crashes, cartoony objects fly by, including a toilet seat!  And instead of Candy's relatively wholesome shimmying, we've got the slow undulations of a new character Jilda (who wears fringe on her bathing suit bottom, while Candy was formerly fringed all over).  When Jilda dances, flowers wilt, candles melt, punch bubbles, marshmallows burst into flame, volcanoes explode, and Dr. Pepper bottles lose their caps.  (I'm sure Donna Loren's sponsors were thrilled.)  You might think that Frank Tashlin had taken over, but actually the director is Don Weis, who would be back for the even more not-in-the-official-series The Ghost in the Invisible Bikini, while writer Louis M. Heyward would do the equally offbeat Sergeant Dead Head.

The other thing about this movie is, well, it's crazy.  Not just because there are Martians-- Don Rickles plays one, too, with the sarcasm more natural to him than his Jack Fanny/ Big Drag wimps-- but because, well, it makes no sense and lots of random things happen in it.

• Socum (which is pronounced "Sucum," making it "mucus" backwards) and Big Bang (Rickles) send Gogo to Earth because he's too stupid to be threatening.
• So the first thing Gogo does when he meets an Earthling, Aunt Wendy (Lanchester), is tell her he's a Martian.  (Shades of Chicolini blithely announcing he's a spy in Fredonia.)
• She, and later Connie, have to be told this repeatedly though, because they're skeptical and/or poor listeners.
• Gogo's "raygun" looks more like a wand but is able to freeze/stun people, yet when it's time to confront the bad guys (not the Martians, there are three sets of bad guys), he leaves it behind and instead uses a sword, which gets stuck in the floor.
• He has a transporting device that conveniently attaches to a freestanding wardrobe (ironically not unlike the one Mork slept in before moving up to the attic), so when things need to disappear, he closes the door and presto!
• One of the Earth greats Gogo has studied is Frankie Avalon.
• When Gogo first arrives he's dressed as a movie usher, yet later he wears Big Lunk's clothes "from last year" (ascot and everything, perfect fit).  
• He borrows Big Lunk's "goofy broad-billed red baseball cap," which leads to farce and makeouts for him, Big Lunk, and Eric Von Zipper.
• Oh yeah, the Ratz & Mice are back (I just had to narrow down my tags, so I couldn't tag Lembeck this time), and they resent this beach crowd as much as Frankie's bunch, for putting footprints all over the beach, "except where they've been sitting."  Late in the movie, they pass as "typical cleancut American youts" (influencing My Cousin Vinny?), and go to a pajama party in red p.j.s.
• A more definite Duck Soup reference, Von Zipper, instead of having his own "sickle," now rides in a sidecar, which of course gets left behind.
• The other set of bad guys (besides the Martians and the Rat Pack) are made up of Jesse "Maytag" White, his idiotic sidekick Ben Lessy, Buster Keaton as a cowardly "Red Indian" who says "cowabunga" a lot (sort of an in-joke, for anyone who remembered Howdy Doody, which in '64 would've been a lot of people, especially the target audience of Baby Boomers), and what I still remember the 1964 or '65 Esquire article (which I read in college more than 20 years later) described as "a bosomy blonde Swedish girl who doesn't speak any English."  She's played by Bobbi Shaw, who would become such a fixture in the second half of the series that she would write a fan letter to MAD Magazine when they satirized the films.  
• White, as J. Sinister Hulk, is supposed to be the king of the conmen, and he's trying to steal from Aunt Wendy by the following schemes:
• Getting Helga to seduce Wendy's nephew Big Lunk into telling her where his aunt hides her money;
• Throwing a pajama party with Wendy as chaperone, to get everyone out of her house.
• Wendy owns a very expensive dress shop for teens but is losing $2500/month.  (Too expensive? high overhead?  After all, does it really need a volcano?)  She keeps her money in a wall safe with a very elaborate code.
• The dress shop is run by Dorothy Lamour, who sings as her models, including Toni "Oh, Mickey" Basil and Teri Hope (later Garr), twist, frug, swim, etc.  Her song is "Where Did I Go Wrong?", another of those AIP songs inspired by dialogue.
• Annette serenades a winking stuffed animal.
• After the Rat Pack ends up in the pool and then Wendy throws a potted plant at Von Zipper's head (no "the Finger" this time), Gogo senses that Helga wants to tell him something through mental telepathy, i.e. Sinister's sinister scheme.
• Did I mention that Gogo chooses Connie's love over the conquest of the Earth?
• Sinister, Lessy, and Chief Rotten Eagle (but not Helga, who's reformed through love of Big Lunk) get teleported to Mars, much to Big Bang's annoyance.
• All the Mars scenes are shot with a red filter.
• Frankie's face isn't shown till the end, when he wonders where he went wrong.
• He and Rickles are "special guest stars" who would soon be in Beach Blanket Bingo, which would be relatively sane.  Oh, except for the mermaid falling in love with Deadhead.
• Uncredited is Dorothy Kilgallen, the What's My Line panelist who would die mysteriously a year later.  She was the mother of Kerry Kollmar, the little boy who shows up everywhere (even in the dress shop) to protest all the "mush."  Dorothy (playing "Dorothy") has a brief ride on a motorcycle.

Luree Nicholson Holmes is featured prominently this time, as the perfume girl, and her three-year-old daughter Joi is the "Topless Baby Model."  If that isn't enough nepotism, James H. Nicholson's new wife Susan Hart plays the sultry Jilda.

Members of the Beach Party crowd include Frank Alesia, Roger Bacon, Linda Benson, Patti Chandler, Ronnie Dayton, Johnny Fain, Ed Garner, Guy Hemric, Mary Hughes, Mike Nader (not given much to do this time), Laura Nicholson, Linda Opie, Salli Sachse, and Ned Wynn.  And there are a few new "teens" on the beach: Ray Atkinson; Carey Foster, who'd appear in Winter A-Go-Go; and Ronnie Rondell, Jr., who was Dannie/Donnie Kettle in a few of the Ma and Pa movies.  (He was 27 at this point.)

This time, besides Von Zipper of course, some of the Ratz & Mice are addressed by name, mostly their real-life names: Bob Harvey, the slightly craggy-faced one, here called Robert; Jerry Brutsche (the young blond who has Von Zipper's sidecar), referred to as both Jeromey and Jerome; and Alberta (Nelson of course).  Allen Fife, Linda Rogers, and as always Andy Romano (still called J.D.) also return.

Renie Riano, here a maid, dances with Candy Johnson a bit, though not in the credits as they did in Bikini Beach.  (The credit-dancers are Hart, Keaton, and Lanchester, to an instrumental version of Donna/Vikki's "Among the Young.")  This was Candy's last appearance, in any movie, AIP or not, although she'd live till 2012.  The Nooney Rickett 4, who must be one of the more obscure bands in these movies, somehow manage to show up in both Beach Ball and  Winter A-Go-Go.

"This is a pajama party?"